January 23, 2025

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NEW WORKS

• Singing Back the Buffalo

• New York BalletCollective Collaborates with Jordan Bennett on ‘The Past Delivers’

• Nestuita’si Storytelling’s Brings ‘Winter Moons’ to Neptune Theatre

• Tanya Tagaq to Headline Closing Night of the Tkaronto Music Festival at TD Music Hall

• Paul Seesequasis’ “People of the Watershed”

• Montréal’s Botanical Gardens Illuminates First Nations Garden

• So Surreal: Behind the Masks

• SUGARCANE

• SOCAN Foundation announces Mamarudegyal MTHC as the 2024 TD Indigenous Songwriter Award Winner

• Textile Museum of Canada Presents Groundbreaking Maya Exhibition Unique Curatorial Approach Unveils Maya Art Through Indigenous Lens

• Overcoming the horrors of Canada’s residential school system, Carl Beam became one of the world’s most revered artists and forged an activist art career

• Free Admission to Studio Bell on National Day for Truth and Reconciliation, Featuring Guest Elder Eldon Weasel Child

• Protest song “Shout Over Silence” unites Indigenous voices in fight for justice

• Robinson Huron Treaty Litigation Fund (RHTLF) Hosts Ceremony Honouring 174th Anniversary of 1850 Treaty Signing

• Submissions Now Open for the 4th Annual International Indigenous Hip Hop Awards & Trade Show 2024

• It takes a river of people to bring the salmon home

• Indigenous-led supportive housing facility celebrates grand opening

• YINTAH

• Sydney Frances Pascal’s ‘We Raised Ourselves, Together and Alone’ at Polygon Gallery

• Jeffrey Gibson’s ‘the space in which to place me’

• Farewell Season of Much-loved Moosemeat & Marmalade

• Mi’kmaw writer Amanda Peters is Waiting for the Long Night Moon

• What if the Colonization of the Americas Never Happened?

• Indian Residential School records still scarce: Senate report

• Medicine Wheel Publishing commemorates Orange Shirt Day with the release of a beautiful new children’s book by Phyllis Webstad

• QCFC launches community resource with Country Food Market and Live Music

• National Music Centre Announces Elisapie Live in Concert at Studio Bell on September 30

• TEETH by Dallas Hunt

• Alan Syliboy and the Thundermaker’s ‘Marks on the Ground’

• Raven Indigenous Capital Partners invests $1,750,000 in Iskwew Air

• Introducing “The Truth in Truth and Reconciliation Educational Board Game”: An Indigenous view on Colonization and Reconciliation.

• First Nations University of Canada to lead long-term transformation of post-secondary education

• Weengushk International Film Festival Announces 2024 Programming July 11-14 on Manitoulin Island

• Indigenous Voices Rally Against Lithium Mining in Northwestern Ontario

• New Indigenous Audio Tour of the Niagara Glen, Rekindling All Our Relations

• STATEMENT OF SUPPORT FOR WOODLAND CREE FIRST NATION IN FIGHT AGAINST OBSIDIAN ENERGY

• Weengushk International Film Festival announces Blanket of Stars: A Tribute to Resilience

• Uncover Secrets of the Forest

• ‘Red Fever’ Documentary Hints at Both Challenge and Transformation

• Bringing Truth and Reconciliation to the Table: Cedar Spoon Indigenous Catering Leads the Way in Indigenous Cuisine Experiences

• June 21, 2024 in Pickering: National Indigenous Peoples Day Celebration at Esplanade Park!

• The Native Canadian Centre of Toronto & Harbourfront Centre Present: National Indigenous Peoples Day Celebration 2024

• City of Brampton honours National Indigenous History Month and National Indigenous Peoples Day

• National Indigenous Peoples Day FREE TALK AND ADMISSION TO MONTREAL MUSEUM OF FINE ARTS (MMFA)*

• APTN celebrates National Indigenous Peoples Day with a focus on community engagement and entertaining programming

• Indigenous Outreach Program Award Winners ignite a passion for STEM through Mentorship Program

• AFN National Chief Cindy Woodhouse Nepinak Congratulates Newly Elected Anishinabek Nation Grand Council Chief Linda Debassige

• Shannon Webb-Campbell in conversation with poet Douglas Walbourne-Gough about his latest books ‘Colour Work’ and ‘Island’

• Tamara Podemski Produces Canada’s Largest Indigenous Youth Showcase in Toronto

• Billy-Ray Belcourt On ‘Coexistence’

• Women Of This Land

• Nehiyaw and Dene Nations of Treaty No. 8 Adoption and Private Guardianship Law protects First Nations’ children and families

• OneFeather Launches New AI Tool for First Nations’ Elections

• Sequoia Proudly Celebrates its 20th Anniversary

• INDIGENOUS SCIENCE NIGHT: FREQUENCIES, AT TELUS SPARK!

• Treaty Road

• 94 Calls to Action Upholding Accountability at the Treaty Space Gallery

• The Words and Music Show: Enkonkara Tonhase – Let Me Tell You A Story

• Jerry Evans’ ‘Weljesi’

• Sheilagh O’Leary’s ‘A Sea Change’

• Ursula Johnson’s Emmitukwemk: The Visit

• Truth Before Reconciliation in Palestine

• WAMPUM: BEADS OF DIPLOMACY – A Canadian Exclusive at the McCord Stewart Museum

• “Pawâkan Macbeth” is a Story of Retribution and Rebirth: Review by Shannon Webb-Campbell

• TORONTO ARGONAUTS TICKET GIVEAWAY!

• ENVIRONMENTAL GROUPS CHALLENGE BIDEN ADMINISTRATION’S PREMATURE SUBSIDY OF MINNESOTA TALON METALS NICKEL MINE PROJECT

• MUSKRAT Magazine is looking for Indigenous folx and allies to review a wide array of exciting Indigenous works!

• Wachiya Online Store

• ANDY KIM and TOM WILSON Appointed To The Order Of Canada

• Ojibway Trumpeter Chuck Copenace Brings A Transformative Sweat-Lodge Melody to New Single “Creator”

• Call for applications: Fast track the development of your scripted series through NSI Series Incubator

• BRING THE CHILDREN HOME 2 Rivers Remix Music Feast LIVE at Tk’emlúps te Secwépemc Powwow Arbor July 7, 8 & 9

• MERRITT, BC: A YOUTH GUIDE ON LOCAL BANNOCK, CITY HORSE TRAILS, AND GHOSTS

• Amik by Sharon King

• DJ SHUB headlines 2RMX Movable Feast ‘Bring the Children Home’ SPRING TOUR

• APTN INDIGENOUS DAY LIVE CELEBRATES EMERGING LEADERS

• From Jennifer Podemski, Hannah Moscovitch, and Jeremy Podeswa, the Crave and APTN Original Drama Series: LITTLE BIRD

• Marie Clements’ “Bones of Crows” free community screenings tour adds new dates in Quebec (including Mont-Sainte-Hilarie, Kahnawake, Waskaganish, Eastmain and more)

• Indspire announces 2023 Indspire Awards recipients and 30th Anniversary celebration

• Request for Proposal: Indigenous Youth, Art and Water Initiative

• A LIFE OF SOCIAL JUSTICE ACTIVISM RECOUNTED IN A NEW POETIC MEMOIR BY TWO-SPIRIT METIS ARTIST AND FILMMAKER MARJORIE BEAUCAGE

• SEVEN INDIGENOUS CANADIAN DESIGNERS TO WATCH

• Unity coalition set to take Land Back in the Haldimand trac: CALL TO ACTION MAY 5, 2023 in Stoney Creek, ON

• INDIGENOUS GROOVES A CELEBRATION OF INDIGENOUS WOMEN AND NON-BINARY PERFORMERS

• Scotiabank CONTACT Photography Festival Announces Full Program and Highlights of May 2023 Edition

• Harbourfront Centre Invites Children of All Ages to Experience Curiosity and Adventure at Toronto’s Beloved International Children’s Festival, JUNIOR

• Sultans of String and Dr. Duke Redbird Release New Single “Our Mother the Earth”

• New Partnership Commits New Career Pathways for 100 Indigenous Youth

• Innu concert: Nikamu Mamuitun at Festival de la Voix, April 23

• Tickets On Sale for Canada’s Largest Indigenous Youth Performance Presented by Outside Looking In

• The Vancouver Art Gallery Presents The Children Have to Hear Another Story: Alanis Obomsawin

• Nunavut’s first-ever community foundation launches in Iqaluit

• Harbourfront Centre Presents the World Premiere of Kaha:wi Dance Theatre’s Powerful and Poetic New Work, Homelands

• STATEMENT FROM CONFEDERACY OF TREATY NO. 6 FIRST NATIONS: Response to the Vatican’s announcement regarding the Doctrine of Discovery

• YPT presents Frozen River – an Award-Winning Tale of Reconciliation Spanning Seven Generations from Manitoba Theatre for Young People

• From residential school survivor to the Premier of the Northwest Territories, Stephen Kakfwi tells his story in Stoneface: A Defiant Dene

• New Harm Reduction toolkit aims to reduce opioid deaths for Urban Indigenous people

• 2 Rivers Remix FREE Indigenous Music Feast coming to snpintktn/Penticton on March 29

• National Indigenous History Month Call for Artists 2023

• First-ever Arctic Music Awards & Conference to be held in March 2023

• Native Voices Reframe History in New Grand Canyon Film

• TUNGASUVVINGAT INUIT GRAND OPENING OF NEW FOOD SECURITY CENTRE

• HIV in indigenous communities and how self-testing can help

• First Nations Health Authority and BC Cancer Launch New Cancer Screening Campaign

• “Ajijaak on Turtle Island,” a new family musical, at Gerald W. Lynch Theater at John Jay College in New York City

• DOCUMENTARY FEATURE AITAMAAKO’TAMISSKAPI NATOSI: BEFORE THE SUN SET TO WORLD PREMIERE AT BIG SKY & NOMINATED FOR BIG SKY AWARD

• Kelly Fraser’s JUNO-nominated album Sedna Set for Re-Release

• Knowledge Network and the First Peoples’ Cultural Council Celebrate First Peoples’ Cultural Revitalization in B.C.

• 2023 Northern Reads Campaign & Authors Series

• Red Sky Performance Announces World Premiere Production & International Tour of MIIGIS: UNDERWATER PANTHER

• Salmon n’ Bannock opens at YVR, becomes first Indigenous restaurant in a Canadian airport

• Tanya Tagaq and Chelsea McMullan’s NFB feature documentary Ever Deadly opens in Canadian theatres starting January 20

• WRITING IS IN MY BLOOD: WHO INSPIRED ME TO WRITE

• Introducing the TD Scholarship for Indigenous Peoples

• Treaty 6, 7, and Federation of Sovereign Indigenous Nations Join to Oppose Alberta Sovereignty Act and Saskatchewan First Act

• A Lift in Economic Reconciliation For Indigenous Entrepreneurs from Across the Howe Sound Region

• The Vancouver Art Gallery presents Guud San Glans Robert Davidson: A Line That Bends But Does Not Break

• TUNGASUVVINGAT INUIT GRAND OPENING OF PERMANENT TORONTO LOCATION

• ᑐᓴᕐᓂᑐᑦ TUSARNITUT! Music Born of the Cold at the Montreal Museum of Fine Arts

• NEW ESSAY ANTHOLOGY REVEALS PERSONAL HISTORIES OF THE SIXTIES SCOOP

• Western University opens Wampum Learning Lodge

• “BearPaw U” online Indigenous Legal Education Courses!

• TUNGASUVVINGAT INUIT HOSTS FIRST-EVER INUIT LED QUEER FRONTED 2SLGBTQ++ DROP IN SPACE

• 1st First Nations Housing Professionals Assocation (FNHPA) Annual National Conference

• Manitoba Arts Network Announces Lineup of Multidisciplinary Participants at Annual Conference – Manitoba Showcase

• Winnipeg Indigenous Executive Circle calls on Premier Stefanson and Foundations to trust Indigenous programming to Indigenous-led organizations

• NEW STORY COLLECTION PRESERVES AND TEACHES OJIBWE LANGUAGE

• Jules Koostachin’s Dramatic Feature BROKEN ANGEL to World Premiere at imagineNATIVE with Director & Cast in Attendance

• National Music Centre Announces Call for Applications for 2023 OHSOTO’KINO Recording Bursary

• Canadian Federation of Library Associations Calls for the Release of all Outstanding Residential School Records

• Opinion: A mind toward consent will bring us closer to the reconciliation we seek

• Gary Farmer to Receive 2022 August Schellenberg Award of Excellence at imagineNATIVE Film + Media Arts Festival

• Bill Reid Gallery and the Jewish Museum & Archives of BC Explore Lasting Impact of 75-Year-Old Potlatch Recordings in Canadian Premiere of Keeping the Song Alive

• First Nations Public Library Week 2022

• VIFF ANNOUNCES 41ST EDITION FESTIVAL LINEUP, INCLUDING GALA PRESENTATIONS AND NEW INTERNATIONAL FILM COMPETITION

• Make Housing Central Coalition Launches Online Portal Providing Critical Community-Specific Housing Data Ahead of Civic Elections

• Setting the Stage for Nunavut’s Global Music Exports: Nunavut Music Export Showcase (“NUPOP”) to premiere in Iqaluit on October 1, 2022

• REMEMBERING THE CHILDREN: APTN AND NCTR HOST NATIONAL LIVE EVENT FROM OTTAWA

• THE RED DRESS EXHIBIT SEPTEMBER 10-11: RAISING AWARENESS OF THE CRIMES AGAINST INDIGENOUS WOMEN AND GIRLS, TWO-SPIRIT PEOPLE

• MUST SEE FILM WINNERS LIST FROM THE MONTREAL 2022 FIRST PEOPLES FESTIVAL

• MONTREAL FIRST PEOPLES FESTIVAL FILMS ARE BACK! The Great Movement Film Review

• AWARDS: Festival International Presence Autochtone / International First Peoples’ Festival

• Festival international Présence autochtone – Invitation pour le dimanche 14 août

• MUSKRAT’S PROVOCATIVE SUMMER READ: ‘Heart Berries’ by Terese Marie Mailhot

• WHY SOME HIGH SCHOOL STUDENTS ARE CHOOSING NOT TO STAND FOR THE NATIONAL ANTHEM

• LUMINATO CANCELS ONLY INDIGENOUS-LED CURATORIAL PROGRAMMING THREE DAYS BEFORE 2022 FESTIVAL

• Missing Matoaka: The True Story of Pocahontas

• MOHAWK ARTIST BRENDT THOMAS DIABO ON WHAT INSPIRES HIM AND WHY SPEAKING UP ON INDIGENOUS REPRESENTATION IS IMPORTANT

• National Music Centre Announces Buffy Sainte-Marie: Pathfinder Exhibition, Opening on June 3, 2022

• CURTIS CLEAR SKY & THE CONSTELLATIONZ TO OPEN FOR THE WAILERS ON THE HEELS OF NEW SINGLE ‘OUR HOME’

• NEW INDIGENOUS POETRY ANTHOLOGY IS A DIGITALLY ENHANCED CROSS-CONTINENTAL COLLABORATION

• The 32nd International First Peoples’ Festival: August 9-18, 2022

• Land-based Training Program at Weengushk Film Institute

• Bill Reid Gallery Exhibition of Northwest Coast Painters Merges Contemporary Expression with Traditional Narrative in Canadian Premiere – True to Place: stímetstexw tel xéltel –

• WAYFINDING IN THE VORTEX: PART 5

• 50th Northern Lights Festival releases full lineup with Alabama’s St. Paul & The Broken Bones, The Weather Station, Born Ruffians, David Laronde, and more

• INDIGENOUS GROOVES: A NEW SERIES LAUNCHES IN TORONTO, CELEBRATING CONTEMPORARY INDIGENOUS CREATIVITY

• Indigenous Fashion Arts Announces Runway Lineup for Biennial IFA Festival

• Native Counselling Services of Alberta releases new resources to support families of Missing and Murdered Indigenous People in Alberta

• Indigenous Singer /Songwriter Trent Agecoutay, new album ‘A Place To Call Home’ shines light on Indigenous homelessness

• Wapanatahk Media’s Dr. Savannah: Wild Rose Vet to Launch Across Canada on APTN in May

• SPEAKER SERIES INVITES NEWCOMER ARTISTS TO LEARN ABOUT INDIGENOUS HISTORY, CULTURE & MORE

• “Living in Indigenous Sovereignty” Poetry Walk on May 7, 2022 as part of the Jane’s Walk Festival

• Bringing the Salmon Home Festival May 3-4, 2022

• Inuk Singer-Songwriter Susan Aglukark to receive 2022 Humanitarian Award Presented by Music Canada at 51st Annual JUNO Awards

• Beyond Our Roots Festival: Get culturally supersonic over 4 nights this May

• Harbourfront Centre Presents Ontario Premiere of A’nó:wara Dance Theatre’s Visually Stunning ‘Sky Dancers’

• aabaakwad to celebrate ‘The Sámi Pavilion’ at the 59th International Art Exhibition of La Biennale di Venezia

• Call for Applications: WAAC Indigenous Artist-in-Residence 2022-23

• Indigenous Fashion Week Toronto Announces New Name and Brand

• Canada Post Community Foundation accepting grant applications: New $50,000 Indigenous Truth and Reconciliation Signature Grant introduced

• Colonize This by Howie Miller New Stand Up Album Out April 15 on Comedy Records

• FIRST PEOPLES, SHARED STORIES: Submissions now open

• Tickets on Sale for Annual Showcase Presented by Outside Looking In at Toronto’s Meridian Hall, Thursday, May 12th

• Rehearsals for Living by Robyn Maynard and Leanne Betasamosake Simpson

• Remembering Keegan – A BC First Nations Case Study Reflection Underscores Impact of Systemic Racism, Endorses the Transformative Changes that Cultural Safety and Humility Can Make in the BC Health Care System

• Manitoba-Based Folk Duo SPIRIT TRAIL Pay Tribute to the Enduring Power of Standing Rock With “Water Protectors”

• 8 Booklets on Tools for Indigenous Family Survivors of Violence – an annual day of action in Colten Boushie’s memory

• YOLANDA BONNELL ON HOW WE ARE NEVER TRULY LOST

• WAYFINDING IN THE VORTEX: PART 4

• Protected: MUSKRAT MAGAZINE PRESENTS SAUGEEN TAKES ON FILM: ANCESTOR’S GIFTS

• MUSKRAT MAGAZINE PRESENTS SAUGEEN TAKES ON FILM: HOW FAR WE’VE COME

• MUSKRAT’S MARCH INDIGENOUS MUSIC MUSTS

• WAYFINDING IN THE VORTEX: PART 3

• Protected: MUSKRAT MAGAZINE PRESENTS THE SAUGEEN FILM FESTIVAL: THUNDER ROLLING HOME

• Special statement from President Chartrand on Louis Riel Day

• La Guilde presents the exhibition Ashoona: Enduring Art Stories

• WIFTV ANNOUNCES SELECTIONS FOR THE 2022 VANCOUVER INTERNATIONAL WOMEN IN FILM FESTIVAL

• Critical Frequency Launches Climate Lawsuits Podcast Damages

• THE OFFICE OF SOCIAL INNOVATION AT RYERSON UNIVERSITY OPENS APPLICATIONS FOR INDIGENOUS ARTIST RESIDENCY

• Wayfinding in the Vortex: Part 2

• WIFTV ANNOUNCES NEW PROGRAM FOR UNDERREPRESENTED TV PRODUCERS IN BC

• NEW CHILDREN’S PICTURE BOOK HELPS PRESERVE AND TEACH ANISHINAABE LANGUAGE

• New Book raises awareness of ongoing forced and coerced sterilizations in Canada

• TUNGASUVVINGAT INUIT STATEMENT – TRUCKER PROTEST EFFECT ON VULNERABLE COMMUNITY IN DOWNTOWN OTTAWA

• National Music Centre Announces OHSOTO’KINO, A New Indigenous Programming Initiative Sponsored By TD

• EMILY STOWE SCHOLAR PROGRAM: SUMMER STUDENT RESEARCH OPPORTUNITIES

• Media advisory MMIWG walk event – Friday, February 11, 2022

• Wayfinding in the Vortex: Part One

• ZAINAB AMADAHY WAYFINDING IN THE VORTEX, INDIGENOUS BLACK FUTURISMS AND SPACE FOR CONNECTIONS

• 60s SCOOP SURVIVOR DETAILS FAILURES OF THE CHILD WELFARE SYSTEM IN NEW ESSAY COLLECTION

• INDIGENOUS FILM: A YEAR IN REVIEW

• Indian Affairs Announces New Tool to Bring Attention to Missing and Murdered Cases

• THE GLOBAL Z RECORDING PROJECT PROVIDES A VIRTUAL OPPORTUNITY FOR INDIGENOUS STUDENT MUSICIANS TO RECORD A SONG, CREATE A MUSIC VIDEO, AND WORK WITH A NAMMY AWARD-WINNING PRODUCER

• Indigenous-Led Charity works with Land Stewards to Acquire Windhorse Farm and Old Growth Forest

• MUSKRAT’S TOP TEN SONGS OF 2021

• ‘Tree Protection Zone,’ a Public Art Project on Hart House Commons, Transformed by Indigenous Art

• MUST HAVE HOLIDAY GIFT IDEAS BY INDIGENOUS TALENT

• THE KENOSHA SHOOTINGS, AHMAUD ARBERY & COLTEN BOUSHIE: WHY WHITE CULTURE VALUES PROPERTY OVER BLACK AND BROWN LIVES

• US Department of the Interior, Secretary Deb Haaland Takes Action to Remove Derogatory Names from Federal Lands

• Indigenous art and artists from around the world gather at the AGO for aabaakwad 2021

• Zee Zee Theatre presents Virtual Humanity: Two Spirit & Indigiqueer Futures

• In Two Falls (Nish Takuakut), discover the harsh wilderness of Canada’s 17th century through the eyes of Jeanne and Maikan as they try to survive in a world at the crossroad

• JULES ARITA KOOSTACHIN’S DRAMATIC FEATURE BROKEN ANGEL GOES TO CAMERA

• First of Its Kind, Native American Produced Documentary Focused on Language Preservation Launches Crowdfunding Campaign

• ‘Read Indigenous Narrative’ – Initiative Launches in Hillsdale, Ontario to Share Books with Indigenous Narrative in Little Lending Library

• INDIGENOUS MUSIC TO GET YOU THROUGH THE NOVEMBER RAIN

• Black & Indigenous Relationships Part 4: Expanding Collective Consciousness

• Black & Indigenous Relationships Part 3: What Makes for Right Relations

• Call for Applications: Indigenous Artist in Residence, Apply before November 25th, 2021

• daphne_ Kaia’tanó:ron Dumoulin Bush Moulin à paroles | Iakoteriwatié:ni | Chatterbox

• imagineNATIVE Film + Media Arts Festival Announces Performances by Classic Roots, Crown Lands, Digging Roots, Kee’ahn, Leanne Betasamosake Simpson, and more

• Nunavut Pop Girl Dreams Big in New Single “I Wish I Was a King”

• Dr. Shirley Cheechoo To Receive 2021 August Schellenberg Award of Excellence

• Rez Rules: My Indictment of Canada’s and America’s Systemic Racism Against Indigenous People

• Highly Touted Indigenous Alt-Pop Artist ANYMA To Release Debut EP HUMANS On Oct. 18

• Reconciliation

• Reservation Dogs: A Start in Rezpresentation in Television

• INDIGENOUS FILMS TO GET EXCITED FOR AT TIFF 2021

• Black & Indigenous Relations: Part 2 Traumatized People Traumatize People

• Black & Indigenous Relations Part I: A Threat to the Foundations of Settler Colonialism

• Forecast perfect for ‘mythic’ Perseid meteor spectacle

• Treaty #6 Territories of Saskatchewan Alt.Rockers THE RECKLESS FAMOUS Say “Goodbye Sorrow”

• Indigenous Blues Singer/Songwriter DONITA LARGE is “Going To Walk That Line” with New Single

• INDIGENOUS TORONTO: TANNIS NIELSEN ON THE SIMCOE STREET MURAL

• INDIGENOUS TORONTO: Jim Dumont on Identity and Spirituality in the City

• THE CONDOR AND THE EAGLE – Film Screening / Discussion / Call to Action

• Save the Date – Honouring Our Languages Conference 2021 – October 6 & 7

• STUDY SHEDS LIGHT ON CURRENT LEVEL OF REPRESENTATION OF WOMEN, RACIALIZED PERSONS AND INDIGENOUS PEOPLES IN LEADERSHIP ROLES LOCALLY AND PROVINCE-WIDE

• The Textile Museum of Canada and Toronto Biennial of Art present the exhibition Double Vision: Jessie Oonark, Janet Kigusiuq, and Victoria Mamnguqsualuk

• Red Market Brand Pursues Economic Reconciliation Through Compliant Cannabis Sales and Reform

• Indigenous Music Countdown #1 Chart-Topping & Nunavut Alt-Rocker Joey Nowyuk Releases “Pray”

• The GTA’s Urban Indigenous People Critical to an Inclusive Economic Recovery

• WEENGUSHK INTERNATIONAL FILM FESTIVAL ANNOUNCES FILMS

• “THEY PROTECT THE CATHOLIC CHURCH THAT TRIED TO EXTERMINATE OUR RACE” – Colombia’s Repression: A Massacre Against the People

• RAP NEWCOMER IS A SHARP AND FIERCE VOICE FOR BLACK & INDIGENOUS WOMEN OF COLOUR

• WAG-Qaumajuq celebrates National Indigenous Peoples Day with world premiere of The Lake Winnipeg Project by Kevin Settee

• Owlkids, 4Canoes, and GoodMinds.com partner to create special youth magazine for National Indigenous Peoples Day 2021

• National Action Plan Falls Short of Addressing the Needs of the Most Oppressed: Indigenous Women and Girls with Disabilities

• Sephora Canada Amplifies Indigenous Voices with its First-ever National Indigenous History Month Campaign

• NEW CBC PODCAST TELLING OUR TWISTED HISTORIES HOSTED BY KANIEHTI:IO HORN

• ‘Residential School House Blues’ by Burnelvis Commemorates All Children and Parents Affected by Canada’s Residential Schools

• SILLA AND RISE UNMISTAKABLY NORTHERN NEW TRACK: PANDEMONIUM

• THE KAMLOOPS RESIDENTIAL SCHOOL MASS GRAVE EXPOSES WHO CANADA IS & THE WORK AHEAD

• ANISHINAABE MOTHER & MEDIA CREATOR BRINGING TRADITIONAL BIRTH KNOWLEDGE TO NEW DIGITAL PLATFORMS

• WEENGUSHK INTERNATIONAL FILM FESTIVAL ONLINE EXPERIENCE

• MAY 20-22ND GLOBAL GATHERING ON INDIGENOUS-LED RESPONSES TO COVID-19 PRESENTED BY LEADING CANADIAN RESEARCH TEAM

• MUSKRAT’S FEATURE ARTIST ZEEGWON SHILLING COMPETING IN CBC MUSIC’S TOYOTA SEARCHLIGHT TALENT 2021

• PODCAST INTERVIEW WITH FILMMAKER COURTNEY MONTOUR ON MARY TWO-AXE EARLEY’S HISTORICAL FIGHT FOR INDIGENOUS WOMEN’S RIGHTS

• Josiah Wilson on Healing from Racial Discrimination in One of Ours

• Vancouver poet shortlisted for Indigenous Voices Awards

• Bringing the Salmon Home Festival May 10-16, 2021

• Indigenous Languages Series, To Help Educate About Indigenous Culture And Preserve Endangered Languages

• Vancouver Rapper Neon Empty Releases Powerful New Single RED LIVES DON’T

• Madisyn Whajne Shares Video “Save My Heart” | Debut Album Out Now

• First Nations urge court to throw out Ontario’s appeal of Robinson-Huron Annuities Case Robinson-Huron

• Elle-Máijá Tailfeathers on the Opioid Epidemic That is the Focus of her Film Kímmapiiyipitssini: The Meaning of Empathy

• TANYA TALAGA ON HER FILM SPIRIT TO SOAR, DEBUTING AT HOT DOCS ‘21

• MUSKRAT’S FEATURE ARTIST: TARA WILLIAMSON ON DECOLONIZING THE MEANING OF LOVE

• G.R. Gritt ‘Ancestors’ Out Today Via Coax Records

• Indigenous People are a High Priority to Receive COVID-19 Vaccinations, Here’s Why

• CREATIVITY MEETS TECH

• Canadian women leaders send an open letter to the Honourable Chrystia Freeland, Minister of Finance

• JANOME CANADA TO HELP CREATE SEWING SKILLS LABS IN REMOTE COMMUNITIES

• SEEKING ARTISTS: CSRS Indigenous Arts and Research Fellowship 2021-22

• A LOOK BACK: Indigenous Fashion Week Toronto 2020

• DR. SHERYL LIGHTFOOT: THE FIRST INDIGENOUS WOMAN FROM CANADA APPOINTED TO UNITED NATIONS EMRIP

• It’s a Mitig by Bridget George

• Harbourfront Centre Celebrates 20th Anniversary of Indigenous Art Innovators Red Sky Performance with Digital Dance Film – More Than Dance, We Are A Movement –

• Apply now to CBC New Indigenous Voices to build your media career

• ORIGIN, UBER, CCAB release Share Your Roots VR Competition

• Lofttan Indigenous female owned company launches Spring BlingBOX

• MusiCounts Announces Contemporary Indigenous Music Classroom Resource

• Stunning picture book “We Dream Medicine Dreams” a gentle exploration of death for children

• Announcing the third Second Story Press contest for unpublished works for young people by Indigenous writers.

• REMARKABLE INDIGENOUS WOMEN IN THE ARTS HONOURED ACROSS CANADA

• INDIGENOUS WOMEN MUSICIANS SLAYING IT ON INTERNATIONAL WOMEN’S DAY (& EVERY OTHER DAY)

• ACCLAIMED ACTOR CARMEN MOORE ON RUSTIC ORACLE, MMIWG, WHAT’S CHANGED IN THE SCREEN INDUSTRY

• MAMISARVIK HEALING CENTRE – INUIT WELLNESS AND RESILIENCE DURING A PANDEMIC

• GoodMinds.com: ’13Moons 13Reads’ Series for all ages

• Appointment of the Ninth Parliamentary Poet Laureate: Louise Bernice Halfe (Sky Dancer)

• New Inuktitut Love Anthem Released on Valentine’s Day

• New Single ‘Solidarity’ from Joshua Arden Miller

• sākihiwē music Thursdays expands its reach with radio for Safe At Home Manitoba

• Asinabka Festival – Call for Submissions 2021

• NADJIWAN’S “REBOUND GIRL” SINGLE, IN HONOUR OF KELLY FRASER

• A Māori Opinion: WHY INDIGENOUS CANADIANS LIVES DIDN’T MATTER TO MICHELLE LATIMER

• AYA Optical’s New Capsule Features Iconic Indigenous Artwork By Ojibwe artist Donald Chretien and Is Named for Dr. Bonnie Henry and Adrian Dix

• Province expands Ontario Student Assistance Program at Indigenous Institutes

• Indigenous Businesses Now Eligible to Create a FREE Store on IndigiMall.net

• GoodMinds.com: Upcoming 13 Moons 13 Reads Video Web Series

• Goldrock Press Publishes New Indigenous Children’s Book, ‘Nîpin’ by Cam Robertson

• ACTRA Toronto Names Jani Lauzon its 2021 Award of Excellence Recipient

• Women’s March Global launches global poll for women’s rights as in-person marches are put on hold

• Uvagut TV Breaks Ground as Canada’s First Inuit-Language TV Channel

• Collaboration to Explore Reconciliation Initiatives

• New Single from Adrian Sutherland: Respect the Gift

• Mitacs launches new innovation opportunity for Indigenous students and businesses

• Hot Lips Video Premiere – January 21, 2021

• 2020: Taming the Wétiko Virus: 2021

• HOLDING ARTISTS ACCOUNTABLE IS NOT “LATERAL VIOLENCE”

• MMF Unveils New Mental Health Wellness Support Line for Métis Citizens

• Madisyn Whajne Releases ‘Save Our Hearts’

• Call for World Healing enters sixth month | DEC 20, 2020 @ 12AM

• INDIGENOUS HOLIDAY GIFT IDEAS OF 2020

• IndigenARTSY

• Mattinaway Chakasim

• JUNO AWARD WINNER G.R. GRITT SHARES “QUIET YEARS” TAKEN FROM FORTHCOMING LP ANCESTORS

• BC Association of Aboriginal Friendship Centres Releases ‘Urban Indigenous Wellness Report: A BC Friendship Centre Perspective’

• CREATIVES EMPOWERED OFFICIALLY LAUNCHES!

• Canadian Aboriginal AIDS Network Showcases Shared Responsibility This Aboriginal AIDS Awareness Week

• Honour Song: Episode 3 shines a spotlight on Salluit, Aklavik today

• Virtual conference to highlight Indigenous responses to COVID-19 in the context of viral hepatitis

• The Connected Music Series to showcase Black, Indigenous and South Asian artists in culturally significant spaces across Canada

• End Homelessness Winnipeg announces funds for winter outreach and drop-in services, new Call for Applications and Winter Weather Plan

• Introducing Honour Song w/ Susan Aglukark, William Prince, and more

• Michael C.Duguay Shares “Candy Store (Jeremy Parkin Reprise)” | Companion Album ‘The Winter of Our Discotheque (Reprise)’ out Dec 4th

• RUSTIC ORACLE, AWARD-WINNING CANADIAN FEATURE BY FIRST NATIONS FILMMAKER SONIA BONSPILLE BOILEAU, REVEALS HUMAN TOLL OF MISSING AND MURDERED INDIGENOUS WOMEN AND GIRLS (MMIWG)

• imagineNATIVE Film + Media Arts Festival Announces 2020 Festival Award Winners

• Students help break down barriers to justice

• Ulnooweg Indigenous Communities Foundation and Mastercard Foundation Form Partnership to Empower Indigenous Youth

• YOUNG PEOPLE’S THEATRE PREMIERES NEW STORYTELLING VIDEO SERIES

• Tantoo Cardinal, Ilona Verley, Lorne Cardinal at imagineNATIVE 2020

• Ontario Recognizes Indigenous Marriage Ceremonies

• NICK SHERMAN ON STORIES, SONG, AND RACISM IN THUNDER BAY

• INTERVIEW WITH SANDRA LARONDE ON FLOW: A BEAUTIFUL STREAMING COLLABORATION IN A 2020 POLITICAL LANDSCAPE

• AGO Zooms into classrooms with free virtual art education for students in JK to Grade 12

• TUNGASUVVINGAT INUIT (TI) PARTNERS WITH NTI TO DISTRIBUTE COUNTRY FOOD TO URBAN INUIT IN ONTARIO.

• Startup & Slay 2nd Edition Digital Series Launches With 8 Diverse Canadian Women and Non-Binary Entrepreneurs

• STEVIE SALAS ON THE WATER WALKER WITH INSPIRING YOUTH AUTUMN PELTIER

• SHAWNEE ON AWAKENING HER TWO-SPIRITED IDENTITY

• Justices of the Peace Appointments Advisory Committee (JPAAC) Inviting Applications

• Young People’s Theatre Launches NEW Online Fall Drama Classes for Toddlers to Youth

• Complimentary Resource for the upcoming Orange Shirt Day September 30th + NEW eBook Site from GoodMinds!

• Digawolf Releases New Single “The Broken Returns” | Shares details of new album

• Madisyn Whajne Reveals “Killing Desire” | ‘Save Our Hearts’ Out Nov 18th

• CINDY BLACKSTOCK & iskwē EXAMINE COLONIAL VIOLENCE ON INDIGENOUS YOUTH

• CHERYL L’HIRONDELLE & LACEY HILL ON APTN’S NEWEST SHOW: AMPLIFY

• INDIGENOUS FASHION WEEK TORONTO (IFWTO) MOVES 2020 EDITION ONLINE NOVEMBER 26 – 29, 2020

• WATCH THE TRAILER: AMPLIFY Original APTN Series starring Indigenous singer-songwriters to air Friday, Sept. 11th

• INTERVIEW WITH FILMMAKER MICHELLE LATIMER ON THE INCONVENIENT INDIAN: THE DOCUMENTARY

• ACADEMY RELEASES NEXT CONVERSATION IN “DIALOGUES” SERIES ON RACE AND GENDER EQUITY IN FILMMAKING

• GRACE DOVE’S DIRECTORIAL DEBUT KIRI AND THE DEAD GIRL GOES TO CAMERA IN BC

• VANCE BANZO NEW GENERATION STAND-UP COMEDIAN AT THE GCHI DEWIN FESTIVAL

• Four Indigenous Scholars Gauge Progress in Respecting Culture, Scholarship

• New Kanien’kéha Song Books for Babies

• 2 Rivers Remix Society, Full Circle: First Nations’ Performance, Savage Production Society & Vines Art Festival

• JOIN MEMBERS OF THE NORTHWEST TERRITORIES’ DENE NATION ON A HISTORIC AND HEALING 500KM MOOSE-SKIN BOAT TRIP IN NAHANNI RIVER OF FORGIVENESS, SUNDAY, AUGUST 9 on documentary CHANNEL

• WEENGUSHK INTERNATIONAL FILM FESTIVAL ANNOUNCES ONLINE PROGRAMMING

• The 2020 Queer Arts Festival WICKED — Invasion of the Digi-Queers!

• Métis Nation – Saskatchewan teams with five school boards to offer Michif Early Learning Pilot Project (MELPP)

• Kaha:wi Dance Theatre is Celebrating 15th Anniversary

• ULNOOWEG ANNOUNCES NEW SUPPORT FOR INDIGENOUS ENTREPRENEURS IMPACTED BY COVID-19

• MUSKRAT SPEAKING TO KIDS ON WHITE SUPREMACY AND SYSTEMIC RACISM #Black+IndigenousLivesMatter

• WEENGUSHK INTERNATIONAL FILM FESTIVAL MOVES ONLINE

• what is hanky panky, what if hanky panky

• Queering the North: Inuksuk High School’s Pride Week

• Complimentary Indigenous Education Activity Journal Now Available from GoodMinds!

• RED ROVER – Available on Digital and OnDemand NOW

• THE INDIGENOUS INNOVATION INITIATIVE LAUNCHES INAUGURAL PROGRAM

• Available May 8, 2020: ‘I Fell In Love’ The new single by Rosary Spence

• The second season of APTN’s kids’ series, Anaana’s Tent, celebrates Inuit identity and the Inuktitut language.

• Tungasuvvingat Inuit Launches Inuksuk Campaign in Support of Urban Inuit Youth

• HAIDA MODERN: The Art and Activism of Robert Davidson

• Documentary About Waseskun Healing Centre among Five New Releases on NFB.ca in May 2020

• TKARONTO MUSIC FESTIVAL MAKES ITS DEBUT ONLINE

• SASSY, BAD-ASSY, YET CLASSY: INDIGENOUS STAND-UP COMEDIAN STEPHANIE PANGOWISH

• WHAT I’VE SEEN

• WINNERS OF THE BLUE METROPOLIS AWARDS FOR EXCELLENCE IN INDIGENOUS STUDIES

• Eleven Indigenous Film Projects Receive Development Funding from Telefilm Canada

• COVID-19 Update on Family Violence Shelters in Manitoba

• Comedy Records presents Treaty 1 and Only Stand Up Comedy Compilation Album

• Bebe Buckskin Shares “Muskeg Blues” – ‘Asiskiy’ EP Out May 22nd

• Ontario Government Approves Six Nations Polytechnic as First Indigenous Institute to Deliver Apprenticeship Training

• EAGLE VISION ANNOUNCES 10-PART SERIES TAKEN THE PODCAST NOW AVAILABLE

• ZEEGWON SHILLING PERFORMS AT THE GCHI DEWIN FESTIVAL

• INDIGENOUS HUMOUR AND HUMANITY: COVID-19 SOCIAL MEDIA ROUND-UP

• Don’t leave older Canadians behind in COVID-19 preparedness, says Canadian Frailty Network

• New virtual tour of Canadian Museum for Human Rights

• My Reading with Mi’kmaq Medium and Spirit Talker Shawn Leonard

• NADJIWAN

• Native Art Department International: Bureau of Aesthetics | Opening Reception: Friday, 13 March 2020

• Researchers solve mystery of Tuvan throat singing

• $1,000 BLUE METROPOLIS AWARDS FOR EXCELLENCE IN INDIGENOUS STUDIES

• Tamara Podemski to Host 13th Annual Outside Looking In Gala, May 6 at Toronto’s Meridian Hall

• Iconic Indigenous Musician and Activist Buffy Sainte-Marie To Receive 10th Annual Allan Slaight Humanitarian Spirit Award

• BOOK REVIEW: Lisa Boivin’s “I Will See You Again”

• Being With The Land, Protects the Land – Leanne Betasamosake Simpson

• CANADA COUNCIL FOR THE ARTS RENEWING CULTURAL DIPLOMACY

• Book Review: Innu Poet Maya Cousineau-Mollen

• Lighting the 7th Fire at the Gchi Dewin Indigenous Storytelling Festival

• REVIEW: Smudge, Don’t Judge, Assisting Two Spirit/Trans Survivors of Violence

• TEEN PERFORMER ZEEGWON SHILLING ON HIS LOVE OF MUSIC

• Review: Douglas Walbourne-Gough’s “Crow Gulch”

• World’s Longest Hockey Game Announces Recruitment Day

• Pacific Opera Tours New Opera About Missing and Murdered Indigenous Women

• Wanuskewin Gallery is proud to present the work of Edmonton-based Metis artist Heather Shillinglaw, Whiskey Scrip, from October 12- December 14.

• The Hnatyshyn Foundation announces $75,000 in awards for Canada’s visual artists and curators

• WHOOP-SZO REMEMBER “GERRY” IN NEW VIDEO

• Adrian Sutherland’s Debut Single, Politician Man: A Protest Song for Canada

• A TAINO DESCENDANT SPEAKS ON COLUMBUS

• Encounters at the “Edge of the Woods” Review

• Seneca’s Odeyto building wins 2019 Toronto Urban Design Award

• Toronto International Festival of Authors Celebrates 40 Years with Page-Turning Programming

• La Guilde presents the first Montreal exhibition exclusive to artists from Nunatsiavut

• imagineNATIVE Film + Media Arts Festival Announces Full Programming for 20th Anniversary Festival October 22-27, 2019

• Young People’s Theatre Presents Toronto Premiere of ‘The Mush Hole’ Honouring the Survivors of Canada’s Residential School System

• Nature Unbound: Textile Museum of Canada presents Wild

• Planet in Focus International Environmental Film Festival Announces 2019 Eco-Heroes and Rob Stewart Youth Eco-Hero

• The Incredible 25th Year of Mitzi Bearclaw: Set to screen at the 2019 Reelworld Film Festival

• Production Underway on BEANS, Directed by Tracey Deer

• 509 KICKS OFF SEASON & ACTOR TOM JACKSON JOINS THE SOCIETY

• REVIEW – THE BODY REMEMBERS WHEN THE WORLD BROKE OPEN

• KUESSIPAN IS STUNNINGLY POETIC & ROOTED IN REALISM

• ALANIS OBOMSAWIN ON LISTENING TO THE MESSENGER, JORDAN’S PRINCIPLE AND WHY WE MUST NEVER GIVE-UP

• Carl Beam: One Who is Brave-Hearted at Beaverbrook Gallery

• Book Review: ‘Inquiries’ by Métis Poet Michelle Porter

• Ontario Culture Days Announces 10th Anniversary Edition with Kaleidoscope of Cultural Activities and Events

• A fifty-year old controversy comes to a head in THE MILL airing August 29 on CBC DOCS POV

• New book from UAlberta Press / The Man Who Lived with a Giant

• Making Treaty 7 PRIDE Events – Featuring Calgary’s FIRST EVER Indigenous Drag Show

• ArtsCan Circle Music Video: “Faces of the North” a collaboration with students from Vezina Secondary in Attawapiskat

• DISCOVERING PEOPLE: ENGLISH * FRENCH * CREE: AVAILABLE OCTOBER 2019

• Urban Shaman’s 2nd Santa Fe Satellite Gallery show Opens August 14, 2019 Featuring Artist Kent Monkman

• CALLING ALL INDIGENOUS ARTISTS: Indigenous Health Initiative Logo Design Contest

• NORTHWOOD ENTERTAINMENT PARTNERS WITH CANADALAND ON ‘THUNDER BAY’ TV SERIES

• Lyla June on Resistance and Forgiveness in the Final Years of Patriarchy

• Indigenous Mentoring Day – September 25, 2019

• Black Belt Eagle Scout Announces New Album, At the Party With My Brown Friends, Out August 30th on Saddle Creek

• COMPELLING WINNERS AT THE 2019 MONTREAL FIRST PEOPLES FESTIVAL

• THE APPLICATION DEADLINE FOR THE SIXTIES SCOOP CLASS ACTION IS AUGUST 30, 2019

• TUSCARORA FILMMAKER JON ELLIOTT: NO STORIES ABOUT US WITHOUT US

• DON’T MISS THE ALANIS OBOMSAWIN EXHIBITION AT THE MMFA

• CALL FOR APPLICANTS: INDIGENOUS ARTISTS IN RESIDENCE

• THE 2019 MONTREAL FIRST PEOPLES FESTIVAL PREMIERES NEHIROWISDIGITAL BY MEKY OTTAWA

• ACTRESS CARA GEE ON FOOL FOR LOVE & PORTRAYING INDIGENOUS WOMEN ON SCREEN & IN THEATRE

• La Guilde presents the exhibition Nehirowisidigital by emerging artist Meky Ottawa

• FOUNDER OF WALKING EAGLE NEWS, TIM FONTAINE ON BECOMING A PRETEND JOURNALIST

• The suicide crisis in Uashat Mak Mani-Utenam community: The need for a remediation strategy



• NISHNAABEMDAA NOONGO: SUMMER TIME NISHNESS

• UNDERSERVED INUIT IN ONTARIO CONTINUE TO BE MARGINALIZED

• NISHNAABENDAA NOONGO: MUSKY GOES TO TOWN

• Hill Agency on Kickstarter: The Next Wave of Indigenous Video Games Starts Now

• IndigenousNOW website launches to serve artists and GTA audiences

• Indigenous Futurisms Compel Superheroes, Infiltrate Indigi-Con, and Inspire A Young Inuk Named Amka Aliyak

• Aboriginal Awareness Week Calgary (AAWC) hosts Family Day Festival and Powwow in honor of National Indigenous Day on June 21st in partnership with Aboriginal Television Peoples Network (APTN)

• Indigenous Garden Removed from Humber River Banks by City of Toronto Workers

• Barb Cranmer—T’ɬakwagilogwa ‘Copper Woman’

• sākihiwē festival 2019 lineup, June 14 – 16 in Winnipeg

• Canada’s premiere songwriters gather at Northern Lights, July 4-7 2019

• National Music Centre announces Indigenous Music Week at Studio Bell, June 19 to 22

• PREMIERE: ALANIS OBOMSAWIN, PRINTMAKER An Artist and her Nation: The Waban-Aki Basketmakers of Odanak

• MMF Joins Manitoba Museum in Unveiling Exhibit to Commemorate The Tragic Story of the Métis Citizens of Ste. Madeleine

• Algoma University Archives Receives Virtual Museum of Canada Grant for Shingwauk Residential School Centre

• Lewis Debassige Memorial Education Fund

• CARVING SPACE FOR INDIGENOUS, BLACK, AND 2-SPIRITS IN THEATRE CLASSIC: LILIES: OR THE REVIVAL OF A ROMANTIC DRAMA

• Rebecca Belmore and Osvaldo Yero are the Recipients of the 2019 Hart House Centennial Commission at the University of Toronto

• DOC Announces Free Membership for Indigenous Filmmakers

• [shooger-koht-ed] / ZiizibaakwadAgoke / Ésíwinikátéki

• La Guilde presents Beading Now!, a contemporary beading exhibition, from May 16 to July 21, 2019

• Comedian Candy Palmater and Toronto Raptor’s In-Arena Host Mark Strong Emcee 12th Annual Indigenous Youth Dance Shows Presented by Outside Looking In

• NINE HAIDA ELDERS RECEIVE VIU’S MOST PRESTIGIOUS AWARD FOR LANGUAGE AND CULTURE PRESERVATION

• Isuma presents new project: Silakut Live from the Floe Edge

• You Are Enough: Love Poems for the End of the World by Smokii Sumac (Ktunaxa)

• Taking Care of Our Land Symposium 2019

• Mimi O’Bonsawin

• The Cost of Colten Boushie’s Death in Tasha Hubbard’s Nîpawistamâsowin: We Will Stand Up

• 2019 BLUE METROPOLIS CELEBRATES WINNERS OF STUDENT ESSAY-WRITING COMPETITION FROM NEW BRUNSWICK AND QUEBEC

• First Nations Education Foundation (FNEF) releases new video entitled “Victory Song” chronicling recent work on the Language Revitalization Pole

• Gizhe Waa Ti-Sii-Win Service Delivery Expo: May 13, 2019

• NFB and POV Spark seek bold voices and creative visions for new Instagram Stories series, Otherly

• Indigenous artist and Museum make history with unique agreement for artwork of national importance

• BLUE METROPOLIS 2019 CELEBRATES INDIGENOUS VOICES AND LITERATURES INCLUDING ITS FIRST PEOPLES LITERARY PRIZE, STUDENT ESSAY WRITING COMPETITION AND CHILDREN’S FESTIVAL

• Landscape of Nations 360° launches Phase Two: Professional Development Teacher Training Program

• ‘THE GRIZZLIES’ THEATRICAL DEBUT WITH PAUL NUTARARIAQ AND ANNA LAMBE

• ART NAPOLEON TRIES BULL TESTICLES, BARBECUED RACCOON AND THE NEW CANADIAN FOOD GUIDE

• JEREMY DUTCHER ON CLIMATE CHANGE, TWO-SPIRITS, AND THE INDIGENOUS CULTURAL RENAISSANCE

• COMING MAY 2019 | Stories from the Magic Canoe of Wa’xaid

• INDIGENOUS HEALTH CARE ASSISTANT PROGRAM CHANGING LIVES

• International Indigenous languages conference, organized by and for Indigenous people, set for June in British Columbia

• Summer lineup to include: Sam Roberts Band, William Prince, Safia Nolin + more

• First Nations Education Foundation (FNEF) posts Online Video Documenting Language Revitalization Pole Naming Ceremony

• Me, You & Us Explores the Human Spirit

• Official launch of the 2019 International Year of Indigenous Languages

• The “Reconciliation” Issue Call for Writers

• Announcing a New Professional First Nations Housing Association

• MUST WATCH INDIGENOUS WOMEN, TWO-SPIRITS, AND NON BINARY ARTISTS TAKING OVER FASHION AND DESIGN 2019

• TWO SPIRIT MAN/TWO SPIRIT WOMAN CALL HOME THE SALMON WITH HELP

• The Incredible 25th Year of Mitzi Bearclaw to Have World Premiere at Art Gallery of Ontario

• Moosemeat & Marmalade Cooks Up New Flavours for its Season Four Premiere Airing on APTN on February 7th

• 60’S SCOOP SURVIVOR CAROL ROSE DANIELS FINDS BELONGING IN THE POETIC

• “TRANSFORMERS: THE MOVIE.” CLAYTON WINDATT ON COMING OF AGE IN 1986 & OTHER SUCH “HEROIC NONSENSE”

• RALLIES PLANNED INTERNATIONALLY IN SUPPORT OF WET’SUWET’EN AND DENOUNCE STATE VIOLENCE ON UNCEDED TERRITORY

• 16 Ways to Practice Decolonial Self-Love

• NISHNAABEMDAA NOONGO: WHAT TIME OF THE DAY IS IT?

• NISHNAABEMDAA NOONGO: SEEING PEOPLE IN OJIBWAY

• 10 INDIGENOUS ARTISTS THAT INSPIRE GIFT-GIVING

• MANOOMIN WILD RICER JAMES WHETUNG ON WHAT IT WILL TAKE FOR THE REVITALIZATION OF HEALTH IN OUR COMMUNITIES

• NISHNAABEMDAA NOONGO: COUNTING AND OJIBWAY MOONS

• Algoma U, Shingwauk Education Trust and Shingwauk Kinoomaage Gamig Reaffirm Covenant

• NATIVE WOMEN’S ASSOCIATION OF CANADA ANNOUNCES NEW LGBTQ2S+ UNIT

• NATIVE WOMEN’S ASSOCIATION OF CANADA MEETS EUROPEAN PARLIAMENT SUBCOMMITTEE ON HUMAN RIGHTS

• JUNO Award Nominee Don Amero Headlines Amero Little Christmas Tour

• Infinity Women Secretariat Announces Prosperity Through Innovation

• UNEARTHING SECRETS, GATHERING TRUTHS – BROKEN POETRY

• MAKING THEIR TKARANTO DEBUT – THE FABULOUS BLACK DIVAZ OF AUSTRALIA

• 4th Annual Indigenous & Ingenious Show & Sale: November 17 & 18, 2018

• Planet in Focus International Environmental Film Festival unveils film lineup for 2018 edition

• Tangled Art + Disability announces the second exhibition of the FLOURISHING series, FLOURISHING: SOMEWHERE WE STAY AUTHENTIC

• Grand Council Treaty #3 stands up for Indigenous youths in health curriculum litigation

• A WORLD PREMIERE FROM ONE OF CANADA’S FOREMOST CONTEMPORARY DANCE COMPANIES: TRACE

• The 19th Annual imagineNATIVE Film + Media Arts Festival Announces Festival Award Winners

• Biidaaban First Light: Seeing with Renewed Eyes

• SGAAWAY K’UUNA – BRINGING THE GAAGIIXID TO THE BIG SCREEN

• Whose Home and Native Land

• Review: You Will Wear A White Shirt

• Nishnawbe Aski Nation and Ryerson University’s Together Design Lab launch collaborative housing partnership

• First Nations Public Library Week, “The Future of First Nation Public Libraries” October 1 – 7, 2018

• imagineNATIVE Film + Media Arts Festival Announces 2018 Festival Program, Including Works By Zacharias Kunuk, Marjorie Beaucage and Darlene Naponse

• Voices With Impact: Short Film Grant, Mental Health Experiences Within Indigenous, First Nations, and Native American Communities

• Algoma U Signs National Agreement in Whitehorse University to Offer Akii & Environmental Stewardship Certificate

• First Nations Elders, advisors co-create exhibit on Indian Act with CMHR

• Textile Museum of Canada presents Beads, they’re sewn so tight, an exhibition of contemporary beadworks by four Indigenous artists

• THE AVATAQ CULTURAL INSTITUTE AND THE MONTREAL MUSEUM OF FINE ARTS JOIN HANDS TO PROMOTE INUIT ART AND CULTURE

• Welcoming in Womanhood with Moon Time Prayer

• IT’S COOL TO KORERO

• Indigenous cancer awareness centre helping to bridge the gap between mainstream healthcare and First Nations health centres

• Curve Lake First Nation aims to set new standards for First Nation Archaeology field liaisons with unique training program

• A NEW EVOLUTION BY DON AMERO AND WHAT “LIVE WHILE I’M ALIVE” MEANS TO HIM

• TANTOO CARDINAL ON TAKING TIFF 2018 BY STORM AND BECOMING A MEMBER OF THE OSCARS ACADEMY

• VIU SUPPORTED BUSINESS PROGRAM INSPIRES INDIGENOUS YOUTH

• Indigenous Elders Block Kinder Morgan Construction for Hours, Face 14 Days in Jail

• TORONTO INTERNATIONAL FILM FESTIVAL ANNOUNCES 2018 CANADIAN RISING STARS

• Planet in Focus International Environmental Film Festival to present Toronto Premiere of Beyond Climate, with guests David Suzuki and director Ian Mauro

• BLANKET STATEMENTS WORKS BY GINA ADAMS, MARIA HUPFIELD & MARIE WATT

• Shuswap Salmon Symposium 2018

• Black Belt Eagle Scout – Mother of My Children (out 9/14 on Saddle Creek)

• World Premiere of Haida-language film “Sg̱aawaay K’uuna (Edge of The Knife)” announced for 43rd Toronto International Film Festival 2018

• 2019 NOMFA Submissions Now Open!

• NISHNAABEMDAA NOONGO – WHERE ARE YOU FROM?

• SWEET COUNTRY: WARWICK THORTON’S WESTERN IN THE OUTBACK

• HERE ARE THE WINNERS AT THE 2018 MONTRÉAL FIRST PEOPLES FESTIVAL

• NISHNAABEMDAA NOONGO & JIIZAS

• NICO WILLIAMS ON INSPIRING A NEW BEADING MOVEMENT- MNIDNOOMINEHNSUK

• NISHNAABEMDAA NOONGO & THE FIERO SYSTEM

• Call for Speakers Free, Prior & Informed Consent Conference 2018: Empowering Our Future

• Save the Date Free, Prior & Informed Consent Conference 2018: Empowering Our Future

• VINES ART FESTIVAL LAUNCHES 4th ANNUAL ECO-ARTS FESTIVAL!

• Brantford Tax Project 2018 Takes Up the Cause of Mohawk Nation’s Liberation

• The 28th edition of the First People’s Festival plays its score in tune with the harmony between Peoples

• REBECCA BELMORE FACING MONUMENTAL AT THE AGO

• First Nations Elders Talk About Healthy Medication Use Through Indigenous Storytelling

• Trail of Death caravan will travel Sept. 17-22, 2018

• NWAC CONCERNED FOR INDIGENOUS WOMEN’S SAFETY FOLLOWING GREYHOUND SERVICE CANCELLATION

• Weengushk International Indigenous Festival Premieres on Manitoulin Island

• Kinder Morgan Fined $920 for Illegal Salmon Spawning Prevention

• I Call myself Princess by Jani Lauzon, Sept 9-30, 2018 at the Aki Studio

• Defenders of Mother Earth Hold Prayer Action at Tacoma Detention Center to Stand in Solidarity with Families Being Separated.

• Skeetchestn Breaks Ground on New Health and Wellness Centre

• MusiCounts And APTN Award $20,000 In Instruments To First Nations Schools Through MusiCounts Band Aid Program

• Primary Colours/Couleurs primaires Announces Emerging Artist Award Recipient

• INUK CURATORS TAQRALIK PARTRIDGE & JOCELYN PIIRAINEN SET NEW GROUND AT THE AGO

• UPRISING: THE POWER OF MOTHER EARTH

• ANISHINAABE PLAYWRIGHT YOLANDA BONNELL ON THE CREATURE MANIDOONS: BUG

• Lisa Marie Naponse

• CHOCOLATE WOMAN COLLECTIVE PRESENTS: Izzie M: The Alchemy of Enfreakment

• Summer Solstice concert at Museum marks Indigenous Peoples Day with message “One People, One Voice”

• 145 Events Mark Health and Wellness on National Indigenous Peoples Day June 21, 2018

• Keetsahnak / Our Missing and Murdered Indigenous Sisters

• NWAC FRUSTRATED AND DISAGREES WITH 6 MONTH MMIWG EXTENSION

• Bringing More Choice to Canada’s North: Bright Future for Better Financial Services

• First Nation Communities READ 2018-2019 Announce the Children and Young Adult/Adult Selected Titles for the Indigenous Literature Award

• MIDNIGHT SHINE: Live TV Concert & Winnipeg ‘Homecoming’

• Digital series set to empower Indigenous girls

• BC’s 25 Friendship Centres hits one million points of service per year

• First Nation Communities READ 2018-2019 Announce the Children and Young Adult/Adult Shortlists for the Indigenous Literature Award

• Kegedonce Press is celebrating its 25th Anniversary!

• More Pow-Wow Panache: A Tribe Called Red added to Hillside Festival lineup

• Indigenous Fashion: Our Second Skin

• RENAE MORRISEAU ON WEAVING RECONCILIATION: OUR WAY

• The Paradox of The North: A Way of Life, Climate Change, and Human Rights

• Canada Makes History at 16th Venice Architecture Biennale with Unprecedented Indigenous-Led Exhibition

• Junior: big thoughts for growing minds

• NEW APTN KIDS SERIES ANAANA’S TENT CELEBRATES INUIT IDENTITY AND INUKTITUT LANGUAGE

• WAPIKONI’S 2018 SEASON BEGINS: Wapikoni Mobile is back on the road, rolling towards Indigenous communities

• Nearly 500 More Long-Term Care Beds for Seniors in Indigenous Communities

• Getty Images and ARRAY Launches New Grant to Support Authentic Visual Storytelling for Underrepresented Communities and Cultures

• FIRST NATION GARNERS FUNDING FOR NEW, INNOVATIVE SCHOOL

• Onkwehón:we (The Original Peoples) Festival June 15 – 17, 2018

• Salmon Girl Review

• MADONNA THUNDER HAWK AND OTHER WARRIOR WOMEN BEHIND THE AMERICAN INDIAN MOVEMENT (AIM)

• SEVEN MINUTES WITH MUSKY: NISHNAABEMDAA NOONGO

• Want to Achieve Your Goals? Go Deep

• TA’AH AMY GEORGE, GRAND CHIEF STEWART PHILLIP, INDIGENOUS LEADERS AND HUNDREDS OF OTHERS SHUT DOWN WORK AT KINDER MORGAN TERMINAL

• CONSTITUENTS RETURN TO CATHERINE MCKENNA’S OFFICE TO PROTEST THE LIBERALS CONTINUED SUPPORT FOR KINDER MORGAN AND OTHER TAR SANDS PROJECTS

• Call for Submissions 2018: 7th Annual Asinabka Festival Ottawa • Canada • August 8-12, 2018

• AGO’s new Department of Indigenous and Canadian Art launches major exhibitions by Kenojuak Ashevak and Tim Pitsiulak, and Rebecca Belmore

• Award-winning Tsilhqot’in filmmaker Trevor Mack releases visually striking short film about child suicide online

• Greenpeace: Indigenous-led conservation report is a paradigm shift for Canada

• Indigenous Land Defenders Denounce Canada’s Criminalization at Burnaby Mountain

• The Inaugural INDIGENOUS FASHION WEEK TORONTO Announces 2018 Designers including Lesley Hampton • Helen Oro • Sho Sho Esquiro • Dorothy Grant

• ISKWÉ ON CONNECTING WITH SPIRIT AND #METOO

• Living Arts Centre PRESENTS: Talk is Free Theatre’s production of Tales of an Urban Indian

• Mothers Matter Centre and Native Child and Family Services of Toronto Host “Laying the Foundation for the $28 Billion Opportunity” Event

• Strong appetite for WE ARE ALL TREATY PEOPLE prompts National Tour

• Saskatchewan Tour to begin this Monday!

• Yellowsky Nominated Best New Artist for Indigenous Music Awards 2018

• REGENT PARK FILM FESTIVAL ANNOUNCES NATIONWIDE ARCHIVAL PROJECT HOME MADE VISIBLE

• Epic play Fight On! re’rights’ history about Canadian colonization, Infinithéâtre – April 10-22 at Espace Knox

• The Future of Indigenous Governance in Canada

• 28th MONTREAL FIRST PEOPLES FESTIVAL: CALL FOR FILM SUBMISSIONS

• INDIGENOUS YOUTH KORYN JOHN ON SOARING EAGLES CAMP OCCUPYING TORONTO’S OLD CITY HALL

• ULNOOWEG’S CHIEF OPERATING OFFICER APPOINTED TO INNOVACORP BOARD OF DIRECTORS

• Whose Land Is It Anyway? A Manual for Decolonization to be Released in Print and as Free E-Book

• Resilience Billboard Project

• The First Annual INDIGENOUS FASHION WEEK TORONTO

• Tanya Talaga’s Seven Fallen Feathers: Racism, Death, And Hard Truths in a Northern City

• Non-violent Gathering and March for Justice in Ottawa, Friday March 9th 2018 Justice for Brady Francis, Joey Knapaysweet, Tina Fontaine, Colten Boushie

• New Publication by Kegedonce Press: creole métisse of french canada, me, by Sharron Proulx-Turner

• Canada’s Indigenous Screen Office Announces Call for Logo Design Contest

• Indigenous Projects Receive Lieutenant Governor’s Ontario Heritage Awards

• ANNUAL NLFB MELTDOWN COMPETITION IS BACK

• VOICES3: TANYA TAGAQ + LAAKKULUK WILLIAMSON BATHORY March 22 – 24

• MAKING HISTORY RE-ASSERTING INDIGENOUS CEREMONY AT CHAUDIÉRE FALLS OTTAWA

• Finding Our Power Together

• Indigenous Women in Community Leadership

• NFB and APTN Enter Partnership to Strengthen Role of Indigenous Peoples and Creators in the Canadian Audiovisual Industry

• Ontario Taking Action on Indigenous Health Care

• South Slave region students taking up the Arctic Winter Games (AWG) challenge!

• THE FANS HAVE SPOKEN, APTN LISTENED CRITICALLY ACCLAIMED DRAMA NORTH OF 60 RETURNS TO AIRWAVES

• WAG Announces All-Inuit Curatorial Team for Inuit Art Centre Inaugural Exhibits

• TAKING THE HIGH ROAD: Midnight Shine’s third album reaching new places

• Rampant Settler Self-Indigenization Poses a Threat to Indigenous Peoples

• Jiisakan and White Girls in Moccasins opening at the 2018 Rhubarb Festival

• INDIGENOUS LIVES MATTER: SETTLER ALLIES RESPONSIBILITY & COLTEN BOUSHIE

• Of Hauntings and Healing: Ipperwash Review

• MARGARET GRENIER ON INDIGENOUS DANCE, DAMELAHAMID & NOURISHING A FLAME

• 7 MUSKRAT MINDSET HACKS TO GET UNSTUCK

• Free community screenings in Regina, Saskatoon and Big Beaver: Doc Lab Saskatchewan films coming in February!

• Ontario Expands Helpline for Indigenous Women Facing Violence

• Voices of Indigenous youth shared online in cross-Canada project

• Breakfast Club of Canada gives four Indigenous youth an opportunity of a lifetime

• Voice: Appropriation and Representation in Canada

• TASTY ADVICE FROM ART NAPOLEON ON INDIGENOUS FOOD SOVEREIGNTY & MOOSEMEAT & MARMALADE

• NFB Education presents Indigenous Cinema in the Classroom

• Alberta Aboriginal Performing Arts presents the 9th Annual RUBABOO FESTIVAL!

• Project Between VIU And Snaw-Naw-As Preserves Traditional Plant Knowledge

• NWAC Dismayed with Ongoing Issues at National Inquiry

• Barry Ace – Winter 2018 Nigig Visiting Artist

• A LIFE ON THE LINE: Manitoba Filmmaker Returns to Rural Roots for Feature Doc, Premiering on APTN

• ICE BRIDGE: CBC DOC MISSES THE MARK BY EXCLUDING INDIGENOUS VOICES

• 2017: A FORMIDABLE GROUNDSWELL OF INDIGENOUS MOVEMENT MAKING FOR 2018

• INSPIRING HIGHLIGHTS FROM THE 3RD ANNUAL GCHI DEWIN FESTIVAL

• WAG’s Inuit Art Centre Receives $10 Million from Province of Manitoba

• Ontario Expanding Early Years Programming in First Nation Communities

• Test Slider

• Niki Watts

• Ansley Simpson

• The Theatre Centre presents the premiere of BEARS, January 18-27, 2018

• #nofilterneeded Shining light on the Native Indian/Inuit Photographers’ Association (NIIPA), 1985-1992

• MUSKRAT Review: Bearskin Diary

• U of T Bookstore launch of Heart of Turtle Island:The Niagara Escarpment with live music by Logan Staats co-star CTV “The Launch”

• Gourmand Cookbook Awards: Cooking with the Wolfman | Best Book Award Canada

• Red Sky Performance Wraps 2017 Season with a MIIGIS Soundtrack CD + Digital Release

• NADJIWAN Christmas Release

• Honouring the legacy of residential schools survivors

• 1st Ever Indigenous Vimeo Staff Pick Premiere

• LANGUAGE WARRIORS NEEDED: MISKWAANAKWAD ON ANISHINAABEMOWIN REVITALIZATION

• All Our Voices – The Well Living House is looking for Indigenous Artists And Relations!

• NFB Labrador Identity Through Film tours Nov. 20-25, 2017

• FOUR INDIGENOUS YOUTHS RECEIVE THE INDIGENOUS ARTS AND STORIES AWARD PRESENTED AS PART OF THE GOVERNOR GENERAL’S HISTORY AWARDS

• THE NATIONAL THEATRE SCHOOL OF CANADA CHOOSES THE NEW FACES OF ARTISTIC LEADERSHIP

• The First Indigenous Fashion Week Toronto Announces 2018 Dates and Call for Applications

• Missing – a new First Nations opera – presented by Pacific Opera Victoria Nov. 17-26, 2017

• Contemporary Art Exhibition Runs Nov. 10, 2017-Jan. 9, 2018 in NYC Featuring First Nations Artists

• The Art For Aid Project

• Joseph Sagaj

• Looting of Métis Possessions Poses Barrier to Reconciliation

• What is Debwewin (Heart Knowledge)? Lynn Gehl’s Claiming Anishinaabe

• SIX WAYS TO THRIVE DESPITE WHITE SUPREMACY

• JOIN US FOR PAWÂKAN MACBETH: A CREE TRAGEDY

• Protecting the Purest Water: Two day walk from Cedar Point to the Waverley Uplands

• Ka’nikonhrí:yo Gatherings: Indigenous Tattoo Resurgence Panel

• Carleton University’s Shannon Lecture Focuses on Indigenous Art for Expo ‘67

• The definition of Indigenous Homelessness unveiled

• Arrow & Partners Roll Out First Nations Professional Driver Training Program

• BIG WINNERS AT IMAGINENATIVE FILM + MEDIA ARTS FESTIVAL 2017 #IN18

• NEW CONSTELLATIONS Announces 13-City Nation(s)wide Tour of Music & Arts

• Greenpeace Canada joins Indigenous-led global protests against banks funding oil pipelines

• Sasquatch’n: Haida/Tsimshian Director Ventures Inside Native Secret Societies and Uncovers Unbelievable New Details Foretelling the End of the World.

• imagineNATIVE Launches the imagineNATIVE Institute Year-Round Professional Development Hub For Indigenous Film And Media Content Creators

• Indigenous-led report details new risks to Kinder Morgan pipeline

• Director/producer teams: apply for NSI IndigiDocs and get training, mentorship and cash to make your short doc

• 2018 JUNO Awards now accepting submissions for Indigenous Music Album of the Year

• INDICTMENT: The Crimes of Shelley Chartier, A New Doc By Lisa Jackson and Shane Belcourt

• WARU: A New Māori Wāhine Classic Opens ImagineNATIVE 2017

• RACISM, AND ANTI-SEAL CAMPAIGNS VS. KUKUM KITCHEN

• Markisa Red Corner / Nish Gear

• Iskwé

• Jay Soule

• I Never Lied – A True Story About Survival

• Red Sky Performance In Partnership with Canadian Stage Presents the World Premiere of BACKBONE November 2 – 12, 2017

• Demeter Press is Honoured to Announce the Upcoming Release of Indigenous Experiences of Pregnancy and Birth

• Indigenous Hip Hop Artist Jah’kota Release New Music Video: INDIGENIZE

• Isuma exhibition in Toronto October 16th-21st: Channel 51 Igloolik

• The NFB brings 13 projects to imagineNATIVE 2017

• WAG Opens Gallery’s Largest-Ever Exhibit of Contemporary Indigenous Art

• Scotiabank unveils Legacy Room in memory of Chanie Wenjack

• Book Release—Claiming Anishinaabe: Decolonizing the Human Spirit

• Living Arts Centre Presents: Buffy Sainte-Marie

• Ministers to Make an Announcement regarding Human Trafficking by the Ministry of Community and Social Services

• AAMJIWNAANG WATER GATHERING AND TOXIC TOUR 2017

• Tickets on Sale for the Inaugural FESTIVAL OF ARABIC MUSIC & ARTS

• imagineNATIVE Film + Media Arts Festival: A Wall is a Screen, Annual Art Crawl and Exhibitions

• ACAD Unites with the Bow Valley Murals Project

• Watch Out Drake! Singing Toronto Rapper J-Rez releases Debut Single Summer Breeze

• ANISHINAABEG: ART AND POWER AT THE ROM: WHAT’S YOUR FAVOURITE?

• Claiming their right, Team Indigenous is here

• REO-IFICATION OF NEW ZEALAND

• Indigenous Culture Fund programs now open

• Innovative Learning Partnership for Indigenous Youth to be Announced at Vancouver Island University

• WATER IS LIFE (But Many Can’t Drink It) | Winona LaDuke Keynote event | Sept 24, 2017

• JESSE WENTE ON INDIGENIZING THE HISTORIC IMAX FILM: NORTH OF SUPERIOR

• Red Sky Performance and Toronto Symphony Orchestra Present the World Premiere of ADIZOKAN

• JOIN US FOR DREAMSPEAKERS FILM FESTIVAL – SEPT 20 to 23, 2017!

• First Nations Park Project; Preserving 11,000 years of history

• BC Film Company Slated to Win at Cannes

• MEET BEAU DICK – MAKER OF MONSTERS TO HAVE WORLD PREMIERE AT THE 2017 VANCOUVER INTERNATIONAL FILM FESTIVAL

• Carleton University to Hold Inauguration of Ottawa’s Southway Inn Lost Stories Art Project

• 2018 Indigenous Art Calendar Promotes Reconciliation and Culture While Supporting Charity

• UN COMMITTEE CONDEMNS CANADA FOR CONTINUING TO VIOLATE INDIGENOUS LAND RIGHTS

• Secwepemc Nation ‘Tiny House Warriors’ to build tiny homes in Kinder Morgan’s path

• Unconventional Inuit Art Exhibition Showcases Sealskin Stilettos and Silver Snow Goggles

• Canada’s Music Incubator and National Music Centre Announce National Call for Submissions for AE West

• Award-winning Tsilhqot’in filmmaker Trevor Mack premiers new film at the Toronto International Film Festival

• Minister of Status of Women Maryam Monsef’s position on Bill S-3 An Act to Amend the Indian Act (elimination of sex-based inequities in registration)

• STEPHEN PUSKAS COMPILES UKIUKTAQTUMI, AN INUIT RESPONSE TO THE RACIST OF THE NORTH

• Inaugural Great Lakes Water Walk Takes Place Along Toronto Waterfront Trail, Sunday, September 24, 2017

• HILLBERG & BERK RELEASES ITS HIGHLY ANTICIPATED 2018 COLLECTION

• Full Weekend Schedule Announced for Celebration of Nations

• 3 MUST SEE SENTIENT DANCE + LIVE MUSIC PRODUCTIONS WITH SANDRA LARONDE

• Native American Producer and Activist DAVID STRICKLAND Releases New Single “Armed & Dangerous” feat. EPMD & Saukrates

• Ontario and Canada Invest an Immediate $10M to Support First Nations Youth Health and Safety

• imagineNATIVE Announces Opening and Closing Night Films

• TRADITIONAL MI’KMAG 1st & 7th DISTRICT CHIEFS OPPOSE JUNEX PROJECTS

• HOW DO YOU SPELL CHAMP-ION-SHIP?

• INDIGENOUS 150+ OFFERS ALL AGES, PWYC FILM SCREENING

• TIFF FEATURES 50TH FILM IN OBOMSAWIN’S LEGENDARY 50-YEAR NFB CAREER

• LAURIER’S NEW CENTRE FOR INDIGEGOGY – UNIVERSITY CONTINUES TO STRENGTHEN INDIGENOUS LEARNING AND SUPPORT

• THE GROOVALOTTOS: NDN SOUL AND FUNKY BLUES

• RED SKY PERFORMANCE WORLD PREMIERE OF MIIGIS

• KOMPLEX KAI

• Education Milestone Achieved with Anishinabek First Nations

• New report reveals one spill a week in US from three tar sands pipeline companies

• Indigenous Talent Agency SAMAYA ENTERTAINMENT Releases Artist Roster

• HCC Presents: Giiwenh, a First Nations’ Literary Festival

• Statement from the Minister of Indigenous Relations and Reconciliation on International Day of the World’s Indigenous Peoples

• MAWA receives New Chapter Award for Resilience Billboard Project

• In Dialogue

• Stingray Celebrates the Musical Talent of the First Nations, Inuit, and Métis Communities

• AND THE WINNERS ARE… MONTREAL FIRST PEOPLES FESTIVAL 2017 FILM SELECTS

• TWO-SPIRIT DIRECTOR, ACTOR AND AUTHOR XEMI MANIBUSAN: HEALING THROUGH THE ARTS

• COAST SALISH STORY, SPAWN, MAKES THEATRICAL DEBUT IN TKARONTO

• CULTURAL TRAILBLAZER ANDRÉ DUDEMAINE ON INDIGENIZING MONTREAL

• UP & COMING INDIGENOUS CHEF, GEORGE LENSER WANTS TO DO SOMETHING THAT REPRESENTS US NOW

• 2017 MONTRÉAL FIRST PEOPLES’ FESTIVAL’ S MUST SEE ACTS

• Art for Aid Project Announcement

• SPIDERWOMAN THEATRE’S MURIEL MIGUEL ON MATERIAL WITNESS

• Asinabka Film & Media Arts Festival, August 9-13, 2017

• Wood Land School: Kahatènhston tsi na’tetiátere ne Iotohrkó:wa tánon Iotohrha / Drawing a Line from January to December

• Exploring Indigenous Rights Across Turtle Island: GlobalFest Joins Forces with UNAC-Calgary for 2017 Human Rights Forum

• Saugeen Ojibway Nation wins landmark case: Court finds Ontario failed to consult on quarry project

• Meet Tomorrow’s Visionaries: 6 CITIES. 36 VISIONARY IDEAS. BOOK YOUR TICKETS NOW.

• 20/20 CATALYSTS PROGRAM: Powering clean energy projects in Indigenous communities

• VIU CENTRE SUPPORTS FEDERAL PRINCIPLES ON INDIGENOUS RELATIONS

• Call out for Submissions: Bawajigan-Stories of Power: An Anthology of Fiction by Indigenous Writers

• AWARD-WINNING INDIGENOUS FILM PROGRAM WAPIKONI: CINEMA ON WHEELS ROLLS INTO ONTARIO

• Open Letter to Prime Minister Justin Trudeau from Families and Relations of MMIWG2S

• DOCUMENTARY TELLS OTHER SIDE OF TRC STORY

• NSI featured in latest RBC Aboriginal partnership report

• Native American Recording Artist, Producer and Activist DAVID STRICKLAND Releases two new singles from upcoming LP, Spirit of Hip Hop

• RELIC KINGS RELEASE A NEW SINGLE!

• Governments must engage Indigenous peoples as co-equals in resource development approvals

• Arrow, Interfor and the Little Shuswap Lake Indian Band Slide into New Partnerships

• Leanne Betasamosake Simpson’s new collection of writings: This Accident of Being Lost

• WEBINAR: UNKNOWN / UNSTATED PATERNITY AND SEX DISCRIMINATION IN THE INDIAN ACT

• UNSETTLING CANADA 150 IN CEREMONY AND PROTEST

• Online Broadcast for Indigenous Day of Action | July 1, 2017 | #Unsettling150 from Nuxalk Radio

• WASAUKSING SCHOOL STREAM OF DREAMS

• SHAWNEE RELEASES “WARRIOR HEART” IN EFFORTS TO END INDIGENOUS YOUTH SUICIDE

• Kaha:wi Dance Theatre launch International Indigenous Performing Arts Festival July 25-27

• Google launches more than 3000 Indigenous lands in Canada to Google Maps

• TORONTOMOJI Sticker Pack is Live!

• NFB announces three-year plan to redefine its relationship with Indigenous peoples

• NEW STUDY HIGHLIGHTS BENEFITS OF INDIGENOUS EDUCATION

• Young Indigenous Writers and Artists Celebrated in National Contest

• June 28th-July 2nd: Reoccupation of Ottawa

• Canada 150: Celebrating Collective Amnesia—Why I won’t be there for the fireworks

• LETTER FROM THE EDITOR: STORYTELLERS

• PUTTING THE PLUS INTO CANADA 150 WITH INDIGENOUS 150+

• INTRODUCING NIMKII AAZHABIKONG: CULTURE CAMP FOREVER

• LETTING GO OF OUR ADDICTIONS

• ​Missing and Murdered Indigenous Women and Girls remembered in new Indian City single

• ROM Friday Night Live Programming #FNLROM, June 16: Indigenous Now

• Denise Bolduc honoured with 2017 Ontario Arts Council Indigenous Arts Award

• First Nation Communities READ Announces 2017-2018 Selected Title

• Main Unit Principal Photography Begins on ‘Angelique’s Isle’

• RED SKY PERFORMANCE FALL 2017 SEASON: MIIGIS • ADIZOKAN • BACKBONE

• More Educational Opportunities for Indigenous Students

• Todd Longboat

• KU-KUM KITCHEN

• Ku-kum Kitchen: Now Open

• WHY WE USE INDIGENOUS INSTEAD OF ABORIGINAL

• A.I.A.I. WELCOMES NEW GRAND CHIEF & DEPUTY GRAND CHIEF

• NO MINING ON BARRIERE LAKE ALGONQUIN TERRITORIES BRIEF

• An Urgent Need for Law and Policy Reform in Saskatchewan

• Anishinaabeg: Art & Power opens on June 17, 2017 at the ROM

• Indigenous Projects at Luminato 2017 – Opening Night Celebration by Denise Bolduc and Erika A Iserhoff and Bearing by Signal Theatre

• NLFB Releases Full Schedule and New Commercial

• THE MMIWG INQUIRY TO DATE AND HOW YOU CAN HAVE YOUR VOICE INCLUDED

• THE SECRETS OF THE MNJIKANING FISH WEIRS

• Four Lands: Contemporary Music with Community Participants at the Brick Works

• Gala du 8e Feu – The 8th Fire Gala

• Tanya Tagaq on Angry Inuk

• Making Treaty 7 – Media Release

• Deconstructing the Spindle Whorl

• ANDUHYAUN’S STRAWBERRY MOON FUNDRAISER

• ARTISTIC FREEDOM WORKS BOTH WAYS

• BARBARA KAY, END YOUR RACISM ON SOCIAL MEDIA – PLEASE RESIGN TOO

• Gregory Scofield Witnesses Indigenous Literatures as Reconciliation

• Aboriginal Peoples Television Network (APTN) announcing largest Aboriginal Day Live ever, as part of Canada 150

• Carleton University Institute Aims to Improve Partnerships between Researchers and Indigenous Communities

• MIXED Art Conference – June 3, 2017

• Supporting the Next Generation of Indigenous Leaders

• Parry Sound High School 19th Annual Pow Wow: Seven Generations, (Niizhwaaching Waa-Aanikesidooying Bmaadziwin)

• Tanya Tagaq with the Toronto Symphony Orchestra Dedicates Qiksaaktuk to Missing and Murdured Indigenous Women and Girls

• NishDish Marketeria & Catering

• Ojibwe Cultural Foundation

• 21st Annual Vision Quest – Something for Everyone!

• Leacock Award for Humour: Drew Hayden Taylor shortlisted for “Take Us to Your Chief”

• Jumblies Theatre Presents: The Touching Ground Festival

• CASTING NOTICE: FIRST NATIONS MALE between the ages of 14- 17 years old

• Carol Daniels shortlisted for First Nation Communities READ 2017-2018

• TRAVELLING, ART AND MA’IINGAN

• MARIE CLEMENTS BELIEVES CHANGE IS COMING IN THE ‘ROAD FORWARD’

• Call to Artists – Indigenous Artist Residency

• Ontario Seeking Applicants for New Indigenous-Led Fund to Help Survivors of Human Trafficking

• Vancouver: Canada 150+ Signature Events Unveiled

• BIRTH OF A FAMILY: WERE WE REALLY BETTER OFF? A NEW DOC ABOUT THE 60’s SCOOP BY TASHA HUBBARD

• MISS CHIEF EAGLE TESTICKLE FOR PRIME MINISTER: KENT MONKMAN’S ARTISTIC RESISTANCE TO CANADA 150

• WORLD PREMIERE BY INDIGENOUS CHOREOGRAPHER: JERA WOLFE

• SAFER/BRAVER SPACES – The 2017 Intersection

• The third book of the Algonquin Quest Series. Algonquin Sunset will be released June 17th

• Iroquois Caucus-Anishinabek issue joint statement, letter to PM

• INDIAN HORSE “First look” in honour of National Canadian Film Day

• KEEPERS OF THE GAME AND CROSSING THE LINE BOOKEND CANADIAN SPORT FILM FESTIVAL AS OPENING AND CLOSING NIGHT FILMS

• IT’S ALL HAPPENING SO FAST – A COUNTER-HISTORY OF THE MODERN CANADIAN ENVIRONMENT

• KRISTI LANE SINCLAIR

• DIALOGUE ON USE OF INDIGENOUS SONGS IN CANADIAN COMPOSITIONS HOSTED BY COC

• Midnight Shine at CMW

• WAG Hosts the 2017 Governor General’s Awards in Visual and Media Arts Exhibition

• SIX SHOCKING FACTS ABOUT SLAVERY, NATIVES AND AFRICAN AMERICANS

• A Place Between – A 60’s Scoop Arts Project April 7 – April 29, 2017

• Bonendamowin is Forgiveness: A Reconciliation Bundle from Kim Anderson and Rene Meshake

• WAG Announces Indigenous Advisory Circle

• Art Museum Launches National Tour of Highly Acclaimed Exhibition Shame and Prejudice: A Story of Resilience A project by Kent Monkman

• CANADIAN OPERA COMPANY’S 2017 REVIVAL OF LOUIS RIEL FEATURES VOICES NOT HEARD BEFORE

• Celebrating Canada’s 150th: Featuring the Desecration of an Indigenous Sacred Place

• Justice Comes From Us

• New Indigenous Culture Fund

• Empowering Indigenous Women Now and in the Future

• The ROM Shines a Spotlight on Art, Culture, and Nature To Celebrate Canada 150

• Multi-disciplinary artist Jaime Black to address complexities of history, futurity, gender, place and identity through a week-long residency at the University of Toronto

• Baby born in Nipissing First Nation a historic birth

• The Anishinabek Nation leadership supports AFN call for a National Circle of Ceremony and Healing for our Spirits

• Darlene Naponse leading engagement for Ontario’s new Indigenous Culture Fund

• 2017 Gchi Dewin “BIG HEARTS” Indigenous Storytellers Festival Highlights

• First Nation’s artists call Canada 150 celebrations into question with new exhibition at THEMUSEUM

• Fort William youth canoe builders featured in Ontario Tourism documentary film

• FROM ATTAWAPISKAT TO TD PLACE: MAKING THE CUT!

• Carleton Holds Film Screening to Kick Off Visions for Canada 2042 Conference

• 2017 Governor General’s Awards in Visual and Media Arts Winners Announced

• Anishinaabe interior designer’s childhood dream comes true with Canadian Interiors Magazine profile

• NATIVE EARTH PERFORMING ARTS ANNOUNCES DEPARTURE OF ARTISTIC DIRECTOR

• Anishinabek stand with Iroquois Caucus condemning radioactive shipping across Anishinabek and Iroquois Territories

• Ontario Improving Access to Aboriginal Midwifery Care

• Ontario Creating New Community Gathering Place at Sandy Lake First Nation

• Passage by Gwen Benaway

• Coyote Science: First Indigenous Science series on APTN

• Lisa Bird-Wilson shortlisted for two Saskatchewan Book Awards

• Theatrefront presents the World Premiere of THE ORANGE DOT

• ‘Significant architect of Canadian cinema and culture’ receives deafening standing ovation

• Prism Prize Names Top 20 Canadian Music Videos of the Year

• Ontario Investing in Entrepreneurship Training for Indigenous Artisans

• Award for the Lieutenant Governor’s Visionaries Prize Announced

• DISTRICT AVENUE

• Canada concedes that consulting Indigenous leaders could have prevented harm, but still argues “no accountability” for Sixties Scoop suffering

• MÉTIS THEATRE ARTIST SHELDON ELTER GETS PERSONAL

• Ontario Investing in Skills Training for Indigenous People in the Thunder Bay Area

• The JUNO Awards rename award category to Indigenous Music Album of the Year

• 12th Annual Strawberry Ceremony – Feb 14 – 12:30 pm at 40 College Street in honour of Missing and Murdered Indigenous Women, Girls, Trans and Two Spirits

• STANDING WITH STANDING ROCK: TIFF PRESENTS CONVERSATIONS ABOUT RISE

• Indigenous Cultural Reclamation Inspiration for 2017

• ALETHEA ARNAQUQ-BARIL’S ANGRY INUK WINS THE CANADA’S TOP TEN FILM FESTIVAL PEOPLE’S CHOICE AWARD

• Carmen Hathaway

• Influential Indigenous Storytellers to Watch Out For in 2K17

• McMaster Museum of Art proudly presents Unapologetic: Acts of Survivance

• Must Know About Indigenous Newsmakers in 2K16

• Spirit Builders: Charles Catto, Frontiers Foundation and the Struggle to End Indigenous Poverty

• Violence No More at Ground Zero Missing and Murdered Indigenous Women, Girls, Trans and Two Spirit people

• Chrétien’s Ojibway-designs eyeglass frames hit the market

• Storytelling Season Has Begun and You’re Invited…

• Call for Curators: The Canada Council turns 60

• Inuit leader fighting Supreme Court battle against Arctic oil reacts to joint Canada-US Arctic oil ban

• 2016 Gift List

• Inspirational Indigenous Artists Who Pass Down Their Knowledge

• Tangled Art + Disability Presents OWN YOUR CERVIX by Vanessa Dion Fletcher

• NATIVE EARTH PERFORMING ARTS presents MÉTIS MUTT

• Arts representatives meet with MPPs to share arts impact stories

• Thousands Celebrate with Standing Rock Sioux

• Anishinabek advance the Anishinabek Nation Education Agreement

• Crossroads: Art + Native Feminism

• Western study finds culturally relevant mentorship improves Indigenous students’ mental health, academic success

• Ontario Working Towards Reconciliation with Indigenous Peoples

• 1125@Carleton Announces Partnership with Health First to Support Mobile Nursing Technologies in First Nations Communities

• Big-name celebrities rally behind tiny Inuit community in new video

• Professor explains the basics why we are all Treaty People

• Listening to the Beat of Our Drum: Stories of Indigenous Parenting in Contemporary Society

• Message of Support for Anishnabe and Cree women & girls directly affected by sexual violence by the Sûreté du Québec

• Art and Land in Ontario: Aboriginal Curatorial Collective Hosts Community Forum

• Songs of Resistance and Celebration Road Trip Playlist

• Debate on a Plane

• First-ever First Nations zombie thriller movie receives recognition at International film festivals

• Reconciliation with Indigenous peoples will require public education and institutional change

• MY DECADE AT OLD SUN, MY LIFETIME OF HELL

• Aboriginal Rights as Economic Rights: Whose land is Canada selling?

• Debut music video for DJ Shub, formerly of A Tribe Called Red

• Author and Educator, Dr. Jenny Kay Dupuis on New Book, I Am Not a Number

• Voters Have Chance to Cast Ballot at Information Session

• High School teachers kit helps reconciliation in the classroom

• November is Little Spirit Moon And Here’s What’s Happening Across Indigenous Country…

• Indigenous & Ingenious Show and Sale

• Hallowe’en Story: The Witches of Rama

• Forum to mark 20th anniversary of Royal Commission on Aboriginal Peoples

• New Album By Crystal Shawanda: Fish Out Of Water

• iHope Benefit Concert

• Youth Gathering in Niagara Falls Brings Light to The 7th Fire

• ‘We will still move our Citizenship Law forward’: Madahbee

• FROM SACAJAWEA TO NINA SIMONE

• NWAC Commends the Government For Introducing Legislation that Begins the Process of Ending Sex Discrimination in the Indian Act

• The Secret Path, Reconciliation & Not-Reconciliation

• LANGUAGE CHAMPIONS IGNITING INDIGENOUS ECONOMIES

• Video provides guidance on how to engage with Indigenous Arts

• Actor Roseanne Supernault stars in new sci-fi thriller The Northlander

• This Land, Ontario

• ‘Blackbird’ short film uncovers the untold history of Australia’s Pacific Islander sugar slaves.

• LANDSLEEPER

• Images from Standing Rock

• Michelle St. John Uncovers Colonization Roads with Comedian Ryan McMahon in New Doc

• Best Advice from Indigenous Powerhouse Designer & Entrepreneur Liam Massaubi on Business, Holding up the Community, and ‘Retiring’ at 30

• Culture is Healing in Indigenous Communities: PODCAST

• ELIC KINGS PRESENT THE RELEASE OF THEIR ARMOURY EP

• Masters of Empire: Great Lakes Indians and the Making of America Book Review

• Artist Talk with Bonnie Devine

• CFC Media Lab, NFB and JustFilms | Ford Foundation Partner to Present Creative Doc Lab Focused on VR Storytelling

• 10th annual Premier’s Awards for Excellence in the Arts

• NWAC Disappointed With Lack of Progress In National Inquiry into MMIWG

• LORETTA GOULD

• TWIN FLAME

• THEATRE CREATORS’ RESERVE CALL FOR SUBMISSION

• imagineNATIVE showcases three acclaimed NFB documentaries

• DAISY RUIZ

• Communities Across Canada Hold 11th Annual October 4th Sisters In Spirit Vigils to Honour MMIWG

• imagineNATIVE Film + Media Arts Festival: A Night for Chanie

• 14 INDIGENOUS YOUTH PUTTING THE 7th FIRE INTO MOTION

• WIPCE 2017 Conference

• A MAGNIFICENT RIDE

• Call for Indigenous Entrepreneurs

• REDx Talks: The Buffalo Treaty to precede historic treaty event in Banff

• INTRODUCING CHIEF LADY BIRD

• imagineNATIVE Film + Media Arts Festival Annual Art Crawl and Exhibitions

• Sky’s the limit with young talent

• MUSKRAT PRESENTS 2016 FALL EVENTS LIST

• ZACHARIAS KUNUK ON MALIGLUTIT & PRESERVING INUIT CULTURE THROUGH FILMMAKING

• 2016 Dreamspeakers International Indigenous Film Festival!

• Anishinabek continue to seek traction with First Nation issues

• Resource website to showcase the diversity of Indigenous experiences through art and language

• The Mush Hole Project-September 16, 17, 18

• INDIGENOUS ENGAGEMENT NETWORKING EVENT

• RUNWAYS & HALLWAYS: NEW LOOKS FROM INDIGENOUS DESIGNERS

• FIRST MONUMENT HONOURING CHARLES HENRY BYCE TO BE UNVEILED

• Anishinabek support protectors of the water in the Dakotas

• Local Artist participating in World’s largest Art Exhibition

• JUNE SHAWANDA RICHARD MEMOIR LAUNCH: FROM SILENT WHISPERS TO STRONG, POWERFUL VOICE

• northern rock band making festival debut in toronto, ottawa

• Monument honouring Indigenous Hero of WW II to be Unveiled September 17th

• imagineNATIVE Film and Media Arts Festival Announces Film and Video Line-Up

• 
COOL SCHOOL PROGRAMS FOR INDIGENOUS ARTISTS

• Canadian water non­profit Tin Roof Global becomes WATER FIRST to reflect commitment to First Nations water solutions

• Round Dance in Support of the Water Protectors

• We Are All Treaty People: A Gala Dinner

• Call for Nominations (Alberta): SAIYAwards for Indigenous Youth – Southern Alberta Indigenous Youth Awards

• The Canada Council for the Arts 2017-18 Grant Deadlines and Details

• Duane Linklater From Our Hands With Ethel Linklater and Tobias Linklater

• Pleiades Theatre & Théâtre français de Toronto present the Toronto premiere of Tomson Highway’s The (Post) Mistress (English)/ Zesty Gopher s’est fait écraser par un frigo (français).

• NEW THIS FALL ON NFB.CA: MORE THAN 60 NEW FILMS AVAILABLE ONLINE AND FREE OF CHARGE

• Wapihti: Emerging Short Fiction

• SUMMERTIME VIBES PLAYLIST 2016

• NATIONAL CENTRE FOR TRUTH AND RECONCILIATION DECLARES SUPPORT FOR SIXTIES SCOOP SURVIVORS

• Evergreen Brick Works: Indigenous Waterways

• VIRTUAL POWWOW VENDORS LIST

• imagineNATIVE Film + Media Arts Festival: Opening and Closing Night Films Angry Inuk and Bonfire

• The Word On The Street Toronto

• CALL TO ACTION #83 ART EXHIBIT: THE QUEST FOR TRUTH AND HOPE

• MONTREAL FIRST PEOPLES’ FESTIVAL AWARD WINNERS 2016

• The 17th Annual imagineNATIVE Film + Media Arts Festival

• Making Treaty 7 Embraces History, Builds Community and Inspires Positive Change

• AUGUST 2016 INDIGENOUS EVENT LIST

• Asinabka Festival, August 10-14, 2016

• CALL FOR SUBMISSIONS: RED RISING MAGAZINE

• THIS RIVER DOCUMENTARY SEARCHES FOR MISSING AND MURDERED INDIGENOUS WOMEN & GIRLS

• EMERGING INDIGENOUS PLAYWRIGHT: SARAH GARTSHORE’S BOLD NEW PLAY GAINS MORE SUPPORT

• NFB animation and documentaries shine at TIFF

• Sagamok Multi-Sport Camp

• The Native Women’s Association of Canada invite you to a Press Conference

• Pass The Feather | Classroom Art & Knowledge Exchange Program

• NEC Mural Painting Party

• COLONIZATION POP CULTURE FUSION GENERATES AWARENESS AND IMPORTANT DISCUSSIONS THROUGH ART

• MY BERRY FAST

• Aboriginal Music Week 2016

• CULTURAL BURDENS: A TRIBUTE TO NATIVE WOMEN

• CHILDREN’S PEACE THEATRE teaches conflict transformation to children and youth

• TWHLS Fundraiser

• CARIBBEANTALES Announces the TEN PROJECTS that will take part in the 7th Annual CTi Market

• The TreadRight Foundation And Manitobah Mukluks: Storyboot Project Partnership

• Ulali Project Debut Album

• Setsuné Indigenous Fashion Incubator 2016 Workshop Series

• Frank Yamma announces August Canadian Tour

• Four Faces of the Moon

• Home birth in Ontario safe, expert panel confirms

• NEW ALBUM FOR A Tribe Called Red: We Are The Halluci Nation

• BACK FROM THE RED

• Rock the Stampede with Making Treaty 7!

• The Union of Ontario Indians welcomes new corporate leadership

• Artist Project’s UNTAPPED Emerging Artist Competition

• 2-SPIRIT CABARET | NATIVE EARTH PREFORMING ART

• MUSKRAT Presents: Spirit of Birth, A Short Doc Restoring Indigenous Birth Practices

• INDIGENOUS VOICES + BLACK LIVES MATTER SHARE THE SPOTLIGHT AT THE VANCOUVER QUEER FILM FESTIVAL  

• MARTHA BURNS DONATES $5,000 ACTRA PRIZE TO QAGGIQ TEACHER TRAINING

• Oglala-Sioux woman awarded for activism

• BOOK REVIEW: BOOZHOO, AJIDAMOO

• The Art For Aid Project’s Summer Release: Dreaming Of My People

• LETTER FROM THE EDITOR: THE ART OF INDIGENOUS PARENTING

• POEM: Sun-Tipped Horizon

• Jordan Wabasse’s Family reacts to Verdict of the First Nation Youth Inquest

• NATIVE EARTH PERFORMING ARTS 2016-2017 Season

• FIFTEEN BOOKS BY INDIGENOUS AUTHORS YOU SHOULD READ

• CHIPPEWAS OF RAMA FIRST NATION CURATOR DISCUSSES NATIONALLY ACCLAIMED ARTIST AT ART GALLERY

• MONUMENT HONOURING FIRST NATION WW I HERO UNVEILED

• Call for Submissions: Indigenous Perspectives Wanted for Canadian Literary Journal

• NATIONAL ABORIGINAL DAY JUNE 21ST 2016: MUSKRAT SPECIAL EVENT LIST

• RELIC KINGS: NEW SINGLE & EP RELEASE

• DEMETER PRESS: CALL FOR PAPERS

• Brand New Track Out Today – Stadium Pow Wow ft. Black Bear

• MISTATIM NOMINATED FOR A 2016 DORA MAVOR MOORE AWARD

• FINDING NEMO FINDS ITS VOICE – IN NAVAJO

• FIRST MONUMENT HONOURING FRANCIS PEGAHMAGABOW

• G’ZAAGIN: THE LOVE OF TRADITIONAL INDIGENOUS ARTS

• Samuel Thomas honoured with 2016 Ontario Arts Council Aboriginal Arts Award

• Edzerza Gallery

• Na-Me-Res Annual Traditional Pow Wow

• BOOK REVIEW: CANDIES DON’T GROW ON TREES… UNLESS YOU’RE BASIL JOHNSTON

• Demeter Press is Honoured to Announce the Official Publication of Forever Loved

• Mistatim Nominated for 2016 Dora Mavor Moore Award for Outstanding Production

• ANIMIKII-WAAJIW SIGN UP IN FORT WILLIAM THROUGH THE OGIMAA MIKANA PROJECT

• Indigenous Performing Arts Alliance

• DJ Shub

• Native Feminist Call for Proposals

• POWWOW TRAIL LEADS TO GATHERING

• Duncan Campbell Scott was a Dickhead

• Rezolution Pictures’ Working It Out Together, Season 3 Premiere

• MUST READ INDIGENOUS CHILDREN’S BOOKS LIST

• ARTS TRAILBLAZER JOHN KIM BELL ON PHILANTHROPIC LEGACIES & CORPORATE RESPONSIBILITY

• ANGRY INUK WINS BIG AT RECORD BREAKING YEAR FOR HOT DOCS FILM FESTIVAL

• STITCHING TO HEAL THE PAST

• PUTUPARRI AND THE RAINMAKERS: THE POWER IN THE RAIN DANCE

• ANGRY INUK: WHY IS THE SEAL SKIN BAN WRONG?

• FOUR THINGS LEFTIST VENUES NEED TO KNOW

• INDIGENOUS POETRY

• NORTHERN ONTARIO ROCKERS AT CANADIAN MUSIC WEEK!

• INSPIRING ADVICE FROM ARTIST LEAH DORION

• KAHA:WI’S RE-QUICKENING AND THE FEMININE KOKATHA POWER OF FRANCES RINGS

• {RE}CONCILIATION INITIATIVE: APPLICATION FORMS NOW AVAILABLE

• Fantastic Films by Caribbean Women

• INDIGENOUS ARTISTS AND ACTIVISTS REACH OUT TO YOUTH IN ATTAWAPISKAT

• In This Together: Fifteen Stories of Truth and Reconciliation

• DEAR AMAZING INDIGENOUS YOUTH

• PRESERVING LANGUAGE KEY TO OVERCOMING NATIVE SUICIDE EPIDEMIC

• CRAZY HORSE MEMORIAL: HONOUR OR INSULT?

• FIRESONG OPENS IN THEATRES MAY 13

• RED POWER: A GRAPHIC NOVEL BY BRIAN WRIGHT-MCLEOD

• THE RESILIENCE OF INDIGENOUS WOMEN AT BEARCLAW GALLERY

• BOOK REVIEW: ENABLING CROSS CULTURE DIALOGUE

• RECKONING BY ARTICLE 11

• Re-Quickening’s Toronto World Premiere Highlights Indigenous Women’s Resurgence (April 28 – May 1 / 2016)

• Red Ride Tour rides again! Indigenous musicians hit the road for the tour’s sixth incarnation

• The Cultch presents Flicker by the Dancers of Damelahamid

• Technology Key to Revitalization of Indigenous Knowledge and Culture Globally

• CALL FOR FILM & VIDEO SUBMISSIONS – Asinabka Festival

• MINORITYVR ANNOUNCES APPOINTMENT OF SENIOR CREATIVE & STRATEGIC ADVISOR, GARY R. CARTER EX-ENDEMOL SHINE GROUP/SHINE GROUP/FREMANTLEMEDIA GROUP

• PROGRAM AVAILABLE! Indigenous Health Conference 2016 – May 26-27, 2016

• OUTSTANDING INDIGENOUS MUSICIANS ROCK THE 2016 JUNO’S

• Short-List Announcement For Best Canadian Music Video of the Year

• BEYOND CURTIS

• REVEAL – Indigenous Art Awards

• INDIGENOUS VIDEO GAMES YOU SHOULD DOWNLOAD

• An Indigenous Dance Double Bill Luu hlotitxw: Spirit Transforming by Dancers of Damelahamid and NGS (Native Girl Syndrome)

• Call For Papers: Grandmothers and Grandmothering: Weaving Creative and Scholarly Perspectives in Honor of Our Women Elders

• The Calgary Spoken Word Society Presents: Languages Lost & Found

• THE EAGLE AND THE CONDOR: JUSTICE FOR BERTA CÁCERES

• THE TRUTH THAT WAMPUM TELLS: MY DEBWEWIN ON THE ALGONQUIN LAND CLAIMS PROCESS

• LEADING INDIGENOUS ACADEMIC CHALLENGES THE “INDIAN PROBLEM”

• URBAN GTA ABORIGINAL ENTREPRENEURS TO GATHER, LEARN AND CELEBRATE

• WELL LIVING HOUSE’S OPEN HOUSE

• INDIGENOUS CALENDARS MARK MUCH MORE THAN THE SPRING EQUINOX

• ASSORTMENT OF TALENT AT 4TH ARTIST GATHERING AND ART SHOW

• WAUBGESHIG RICE: STORYTELLING, FICTION, & JOURNALISM

• APPLY NOW FOR NSI NEW VOICES

• MEET A LEADER IN INDIGENOUS HEALTH! INDIGENOUS HEALTH CONFERENCE 2016

• SPARK: A FIRESIDE ARTIST TALK SERIES AT THE NATIVE EDUCATION COLLEGE

• AWARD-WINNING SHORT FILM ABOUT RESIDENTIAL SCHOOLS RELEASES ON YOUTUBE

• APPLY FOR AN INSPIRIT SCHOLARSHIP TO ATTEND STORY MONEY IMPACT

• CELEBRATED CANADIAN TALENT TO BE FEATURED AT JUNOFEST INDIGENOUS SHOWCASE

• HEALING THROUGH BIRCH BARK BITING

• ARTICLE 11 PRESENTS RECKONING

• WESTERN COMMUNITY SET TO CELEBRATE INDIGENOUS AWARENESS WEEK

• GOING HOME STAR: BALLET AND RECONCILIATION

• JUST FOR A MOMENT – REMAINING SHOW DATES AND TIMES

• CALL FOR PAPERS: MOTHERS AS KEEPERS AND TELLERS OF ORIGIN STORIES

• TIFF ANNOUNCEMENTS: KIDS INTERNATIONAL FILM FESTIVAL

• AFN NATIONAL CHIEF CALLS FOR DIRECT FIRST NATIONS INVOLVEMENT IN ACTION ON CLIMATE CHANGE

• CARLETON TO HOST CONFERENCE TO EXAMINE INDIGENOUS PEOPLE IN CANADA OVER THE LAST 40 YEARS

• FASHION DESIGNERS APOLOGIZE FOR INSULTING INDIGENOUS PEOPLE

• SOON TO BE DECIDED: THE STRAWBERRY ISLAND DEVELOPMENT AND OPA 18

• STORY SUMMIT 2016: THE INTERSECTION OF STORY, TECHNOLOGY AND SUSTAINABILITY

• MELAW NAKEHK’O ON THE REVENANT, THE MISSING ARIKARA STORYLINE, AND #OSCARS SO WHITE

• INDIGENOUS SCHOLARSHIPS OFFERED ACROSS THE NATION

• RICK FEVELLE BOOK SIGNING – “I AM ALGONQUIN” AND “ALGONQUIN SPRING”

• BRAND NEW CARIBBEAN TRIBAL MAP RELEASED

• ONTARIO ACTING TO END VIOLENCE AGAINST INDIGENOUS WOMEN

• 2017 NORTH AMERICAN INDIGENOUS GAMES

• SASKATCHEWAN BOOK AWARDS SHORTLIST ANNOUNCED

• TELEFILM CANADA – SHORT FILM FACE OFF 2016 – CALL FOR SUBMISSIONS

• CLAYTON SAMUEL KING EXHIBITION

• ARTHUR SHILLING: THE FINAL WORKS | OPENING FEBRUARY 20

• REEL CANADA AND NATIONAL CANADIAN FILM DAY

• MED YSP SCHOLARSHIPS

• JUST FOR A MOMENT 2016

• Beyond Buckskin

• NEWS RELEASE: BASIL JOHNSTON’S FIRST COMEDIC BOOK IN DECADES

• Indigenous Love Traditions

• MAAIINGAN PRODUCTIONS

• RE-QUICKENING’S TORONTO WORLD PREMIERE HIGHLIGHTS INTERNATIONAL INDIGENOUS WOMEN’S RESURGENCE

• STREETARTORONTO UNDERPASS PROGRAM – START UP

• CANADA COUNCIL FOR THE ARTS STRATEGIC PLAN SURVEY

• MISTATIM OPENS FEBRUARY 9TH

• SOAR Aboriginal Youth Gathering

• CALL FOR APPLICATIONS | CANADA COUNCIL FOR THE ARTS

• FROM THE BIRDS: TROUT QUINOA SALAD

• NDNS ON THE AIRWAVES

• THE RISE AND FALL OF CIVILIZATION EMBODIES SURVIVAL OF INDIGENOUS PEOPLE

• RENOWN, TWO SPIRITED ARTIST EVOKES SURVIVAL JOURNEY OF INDIGENOUS PEOPLE

• WORKSHOPS AND PERFORMANCES IN PIKWAKANAGAN AND TORONTO WITH PURA FE AND ROSARY SPENCE

• CALL FOR INDIGENOUS CURATORIAL PROPOSALS

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• CALL FOR FILM & VIDEO SUBMISSIONS – 5TH ANNUAL ASINABKA FESTIVAL

• SPARK: FIRESIDE ARTIST TALK SERIES #2 FEAT. MARK IGLOLIORTE

• IN CELEBRATION OF BLACK HISTORY MONTH: ANANSESEM: TELLING STORIES AND STORYTELLING AFRICAN MATERNAL PEDAGOGIES 40% OFF

• DRAGON’S QUEST BUSINESS PLANNING COMPETITION

• HOW WILL YOU SUPPORT INDIGENOUS PEOPLES IN 2016?

• INVITATION: MONOMYTHS STAGE 1: PERFORMANCES BY URSULA JOHNSON WITH CHERYL L’HIRONDELLE / MARIA HUPFIELD

• HUFF Tickets Are Going Fast!

• CODE’S BURT AWARD FOR FIRST NATIONS, INUIT & MÉTIS LITERATURE

• THE 1st ANNUAL GCHI DEWIN INDIGENOUS STORYTELLERS FESTIVAL

• INVITATION TO A MEETING WITH MINISTERS TO DESIGN AN INQUIRY ON MISSING AND MURDERED INDIGENOUS WOMEN AND GIRLS

• ONWA WELCOMES THE CANADA HUMAN RIGHTS TRIBUNAL FINDINGS

• WOODLAND CULTURAL CENTRE PRESENTS PERFORMAGRAPHIC AND ISHI: THE ARCHIVE PERFORMANCE BY JAMES LUNA

• NWAC WELCOMES CANADIAN HUMAN RIGHTS TRIBUNAL RULING IN FAVOUR OF FIRST NATIONS CHILD & FAMILY CARING SOCIETY OF CANADA

• Brendt Thomas Diabo

• BOOK REVIEW: WORLD OF ANISHINAABE THROUGH AN UNDERSTANDING OF ARTISTIC EXPRESSION

• ASSEMBLY OF FIRST NATIONS AND FIRST NATIONS CHILD AND FAMILY CARING SOCIETY TO RESPOND TO CANADIAN HUMAN RIGHTS TRIBUNAL DECISION ON CHILD WELFARE

• FORTHCOMING BOOK: FOREVER LOVED: EXPLORING THE HIDDEN CRISIS OF MISSING AND MURDERED INDIGENOUS WOMEN AND GIRLS IN CANADA (APRIL 2016)

• NATIONAL ABORIGINAL DIABETES ASSOCIATION AND URBAN POLING STEP “UP” WEBINAR SERIES

• REGISTER TODAY FOR STORY SUMMIT 2016: THE INTERSECTION OF STORY, TECHNOLOGY AND SUSTAINABILITY

• NEW INDIGENOUS ARTS FUNDING WITH CANADA COUNCIL FOR THE ARTS

• WATCH 4 MI’KMAQ LEGENDS COME TO LIFE ON NFB.CA

• HUFF BY CLIFF CARDINAL AT THE FIREHALL ARTS CENTRE

• APTN & REZOLUTION PICTURES’ SERIES MOHAWK GIRLS NOMINATED FOR 4 CANADIAN SCREEN AWARDS

• ROYAL ALBERTA MUSEUM: ILLUSTRATION REQUEST FOR PROPOSAL

• INDIGENOUS HEROES OF 2015

• CANADA`S ROYAL WINNIPEG BALLET ANNOUNCES THE SUPPORT OF TD BANK GROUP FOR THE CANADIAN TOUR OF GOING HOME STAR – TRUTH AND RECONCILIATION

• INDIAN COUNTRY FILM “AN UNLIKELY SOLUTION” WINS BIG AT HOLLYWOOD INTERNATIONAL INDEPENDENT DOCUMENTARY FILM AWARDS

• THE DOMINION SEEKING WRITERS AND LAND DEFENDERS TO CONTRIBUTE TO PUBLICATION

• EDMONTON PREMIER OF “ELDER IN THE MAKING” BY CHRIS HSIUNG

• THE ART FOR AID PROJECT: AN INFUSION OF FUNDING FOR THE KITIGANIK SCHOOL

• NOMINATE AN ARTIST OR ARTS LEADER FOR THE ONTARIO ARTS COUNCIL ABORIGINAL ARTS AWARD

• REDX TALKS: ART IS THE MEDICINE – PREMIERING IN EDMONTON

• ABSTRACT DEADLINE EXTENDED – INDIGENOUS HEALTH CONFERENCE 2016

• TORONTO DATES FOR SMASH HIT HUFF, PRESENTED BY NATIVE EARTH & NORTH YORK ARTS

• DEMETER PRESS SEEKING EDITORS FOR SEVERAL PUBLICATIONS

• MAKING TREATY SEVEN HONOURS COMMUNITY VISIONARIES

• INVITATION: CANADA COUNCIL ANNUAL PUBLIC MEETING

• BONNIE DEVINE’S BATTLE FOR THE WOODLANDS BATTLES THE STATUS QUO

• LETTER FROM THE EDITOR: VISUAL TREATIES

• INVITATION TO ATTEND OPENING OF “SURFACING” VIDEO EXHIBITION

• NATIVE EARTH PERFORMING ARTS’ SMASH HIT HUFF GOES ON NATIONAL TOUR

• NIB TRUST FUND IS SEEKING APPLICATIONS FOR HEALING AND RECONCILIATION EDUCATION PROGRAMS

• CUSA ABORIGINAL SERVICE CENTRE LAUNCHES RISE 2016 CAMPAIGN AT CARLETON UNIVERSITY

• Wisdom of MKWA: Youth Employment Workshop

• Canada’s Royal Winnipeg Ballet brings GOING HOME STAR – TRUTH AND RECONCILIATION to the Sony Centre!

• REMEMBERING WOUNDED KNEE 125 YEARS LATER: AMERICA WAS NOT GREAT THEN

• SEEKING ABORIGINAL ILLUSTRATOR FOR CHILDREN’S BOOK PROJECT

• BIG INDIGENOUS MEDIA MOMENTS OF 2015

• RED PEPPER WINTER SOLSTICE: NEW LIGHT ON THE DARKEST NIGHT

• D17 WEBINAR – INDIGENOUS EMPOWERMENT & RESISTANCE: VOICES FROM THE FRONTLINES

• ONTARIO ARTS COUNCIL ABORIGINAL ARTS AWARD

• HOLIDAY GIFT IDEAS FROM INDIGENOUS OWNED & OPERATED BUSINESSES

• AFN NATIONAL CHIEF RECEIVES FINAL REPORT OF TRUTH AND RECONCILIATION COMMISSION, COMMITS TO WORKING ON NATIONAL RECONCILIATION FRAMEWORK TO IMPLEMENT CALLS TO ACTION

• New Funding Model Webinar – Canada Council for the Arts

• AN OPEN LETTER TO THE NATIVE ACTORS WHO WALKED OFF ADAM SANDLER’S SET BY AN APACHE WRITER

• MEZZO SOPRANO RHONDA HEAD RELEASES SINGLE “500 YEARS”

• A GENTLE HABIT FEATURES SIX NEW STORIES BY CHERIE DIMALINE

• COMPELLING INDIGENOUS DANCE AND THEATRE PRODUCTIONS

• DR. DAWN LAVELL-HARVARD TO ADDRESS AFN 2015 SPECIAL CHIEFS MEETING ON NATIONAL INQUIRY INTO MISSING AND MURDERED INDIGENOUS WOMEN AND GIRLS TODAY

• MONUMENT TO FIRST NATIONS WW I HERO UNDERWAY

• NATIVE AMERICANS BATTLE TO SAVE MARS IN NEW SCI-FI GRAPHIC NOVEL

• NWAC WELCOMES LONG-AWAITED INQUIRY INTO MISSING AND MURDERED INDIGENOUS WOMEN AND GIRLS

• WELCOME TO KANATA TOURING PROGRAM – WORKS BY FIRST NATIONS, MÉTIS AND INUIT ARTISTS

• ABORIGINAL YOUTH HOCKEY EQUIPMENT DRIVE

• CCAB AND ESS ANNOUNCES RECIPIENTS OF THE LIFETIME ACHIEVEMENT AWARD AND YOUTH ENTREPRENEUR AWARD

• RESEARCHERS FROM CARLETON UNIVERSITY AND THE CANADIAN MUSEUM OF HISTORY REWRITE THE HISTORY OF THE NATION’S CAPITAL

• SCOOP VICTIM ASKS QUESTIONS AND SEARCHES FOR ANSWERS

• I AM SELLING NUTS AS A FUNDRAISER – YES NUTS

• NATIVE CANADIAN CENTRE OF TORONTO 2015 WINTER NEWSPAPER

• ANIMIKIIG TRAINING PROGRAM – NATIVE EARTH PERFORMING ARTS

• THREE ANISHINABE ATTEND THE CLIMATE CONFERENCE

• FIRST ARTIST STUDENT PROFILES COLLECTION – THE ART FOR AID PROJECT

• CALL FOR NOMINATIONS FOR CHILDREN’S CATEGORY – FIRST NATION COMMUNITIES READ 2016-2017

• CLIFF CARDINAL

• CALL FOR INDIGENOUS CURATORIAL PROPOSALS – NATIONAL GATHERING IN THE YUKON

• CHARLIE ANGUS OPENS EYES IN CHILDREN OF THE BROKEN TREATY

• HAVE YOUR SAY – CONSIDER A WRITTEN SUBMISSION TO THE FIRST STRATEGY ON ARTS AND CULTURE IN ONTARIO

• ASSEMBLY OF FIRST NATIONS NATIONAL CHIEF AND WOMEN’S COUNCIL CHAIR ON THE INTERNATIONAL DAY FOR THE ELIMINATION OF VIOLENCE AGAINST WOMEN

• CALL FOR PAPERS: DEMETER PRESS IS SEEKING SUBMISSIONS FOR AN EDITED COLLECTION ENTITLED PLACENTA WIT: MOTHER STORIES, RITUALS, AND RESEARCH

• INDIGENOUS FILM SPOTLIGHT: THE GRANDFATHER OF ALL TREATIES

• INDIGENOUS PEOPLE TAKE STEPS TO HAVE A VOICE IN COP21

• A TRIBE CALLED RED: NEW VIDEO, NEW TRACK AND NEWS FROM AUSTRALIA!

• Gchi Dewin Indigenous Storytellers Festival

• “PASS THE FEATHER TO ME!” – ABORIGINAL ARTS COLLECTIVE

• DOWNLOAD 5 FILMS ON CANADA’S INDIGENOUS PEOPLES FOR $0.99 EACH!

• KAIROS AND LEGACY OF HOPE LAUNCH EDUCATION FOR RECONCILIATION

• GCHI DEWIN INDIGENOUS STORYTELLERS FESTIVAL

• AFN NATIONAL CHIEF PERRY BELLEGARDE SAYS UNIVERSITIES MUST PLAY A ROLE IN IMPLEMENTING THE TRUTH AND RECONCILIATION COMMISSION’S CALLS TO ACTION

• THE CANADIAN MOVIE ‘’LE DEP’’ REPRESENTS THE ABORIGINAL CULTURE INTERNATIONALLY!

• FIRST STEPS: A NEW OPPORTUNITY FOR ARTISTS LOOKING TO GAIN EXPERIENCE TEACHING IN SCHOOLS AND COMMUNITIES

• ROM’s Indigenous Student Engagement Program

• LOCAL AUTHOR KATERI AKIWENZIE-DAMM LAUNCHES NEW BOOK: THE STONE COLLECTION

• ALANIS KING’S ‘3 PLAYS’ BOOK LAUNCHED AND REVIEWED

• ONTARIO HONOURS LOUIS RIEL DAY

• JOURNEY TO RECONCILIATION INSPIRED BY INDIGENOUS ARTISTS

• OPEN CALL FOR SUBMISSIONS FOR INPUT INTO THE PROVINCIAL URBAN ABORIGINAL ACTION PLAN

• THE OKA LEGACY | REZOLUTION PICTURES’ NEW CBC DOCUMENTARY EXPLORES THE OKA CRISIS AND ITS INFLUENCE ON INDIGENOUS IDENTITY IN CANADA

• MARCH INTO CLIMATE HISTORY! 100% POSSIBLE MARCH – NOV 29 – OTTAWA

• CBC DEVELOPMENT WORKSHOP FOR DIVERSE CREATORS

• KAHA:WI DANCE THEATRE (KDT) AND ARTISTIC DIRECTOR SANTEE SMITH ARE RECENT AWARD RECIPIENTS

• Thunderbird Stories | Indigenous Writing Contest

• REMEMBERING AND HONOURING INDIGENOUS WAR HEROES: WORLD WAR 1 AND 2

• LOCAL ARTISTS COMPLETE THE NEIGHBOURHOOD OF NATIONS MURAL IN ST JAMES TOWN

• REZOLUTION PICTURES AND MINORITY GAMES LAUNCH GROUNDBREAKING NEW VIRTUAL REALITY COMPANY, MINORITYVR

• TOMSON HIGHWAY SINGS IN THE KEY OF CREE – RETROSPECTIVE CABARET CELEBRATES THE MUSIC AND WIT OF AWARD-WINNING STORYTELLER

• THE ROLE OF ABORIGINAL ECONOMIC DEVELOPMENT CORPORATIONS IN CANADA’S BUSINESS PARADIGM SHIFT

• DELMER & MARTA – EXCLUSIVE YOUTUBE WEBSERIES FROM APTN LAUNCHING NOVEMBER 12, 2015

• COLLECTIVE CREATION PROJECT – CULTURAL APPROPRIATION ARTISTS SELECTED TO CREATE NEW WORKS IN FASHION, TEXTILES & WEARABLE ART

• ADAM GARNET JONES’ FIRE SONG IS THE WINNER OF THE 2015 AIR CANADA AUDIENCE CHOICE AWARD

• ASSEMBLY OF FIRST NATIONS NATIONAL CHIEF WELCOMES NEW PRIME MINISTER JUSTIN TRUDEAU AND NEW LIBERAL CABINET

• CHRISTI BELCOURT

• TECUMSEH SCULPTURE UNVEILED ON WALPOLE ISLAND

• ATTENTION ONTARIO-BASED THEATRE CREATORS, INDIVIDUALS AND COLLECTIVES! APPLY TO THE THEATRE CREATORS’ RESERVE FUNDING TODAY!

• NOMINATE AN ARTIST OR ARTS ORGANIZATION TODAY! | 2016 PREMIER’S AWARDS FOR EXCELLENCE IN THE ARTS

• NATIVE EARTH PERFORMING ARTS ANNOUNCES NEW PROFESSIONAL DEVELOPMENT SERIES PART OF THE 28TH WEESAGEECHAK BEGINS TO DANCE FESTIVAL NOVEMBER 11 – 21, 2015

• HAPPY DIA/DAY DE/OF LOS/THE MUERTOS/DEAD!

• WHISTLER FILM FESTIVAL ANNOUNCES FINALISTS AND GUESTS FOR ABORIGINAL FILMMAKER FELLOWSHIP

• SUDBURY ARTIST UNVEILS SCULPTURE HONOURING SHANNEN KOOSTACHIN

• BRAND NEW SOUTH AMERICAN TRIBAL MAP RELEASED

• SCREENING AND CONVERSATION WITH ARTISTS: INHABITING THE NORTH

• NSI ABORIGINAL DOCUMENTARY FILMS PREMIERE ON APTN

• CAPTIVATING PLAYWRIGHT CLIFF CARDINAL TAKES TORONTO AUDIENCES BY STORM

• Meet the #GGBooks winners!

• ROYAL WINNIPEG BALLET PRESENTS GOING HOME STAR – TRUTH AND RECONCILIATION @ SONY CENTRE FEBRUARY 2016

• YOUNG ABORIGINAL WRITERS RECEIVE JAMES BARTLEMAN AWARD

• JOURNALISTS FOR HUMAN RIGHTS (JHR) – INDIGENOUS REPORTERS SCHOLARSHIP FUND

• HUFF BY CLIFF CARDINAL – LAST CHANCE! THIS RUNAWAY HIT CLOSES SUNDAY

• AND THE WINNERS ARE… imagineNATIVE 2015 AWARDS

• THE OTHER SIDE – SEASON II PARANORMAL INVESTIGATION TV SERIES PREMIERES ON HALLOWEEN

• FREE FASHION TRAINING PROGRAM AT GEORGE BROWN COLLEGE

• JOHN BORROWS APPOINTED NEXEN CHAIR IN INDIGENOUS LEADERSHIP

• OAC ADMINISTERS ARTS PROGRAM TO CHALLENGE ATTITUDES ON SEXUAL VIOLENCE AND HARASSMENT FOR ONTARIO WOMEN’S DIRECTORATE

• ANISHINABEK VOTERS PROTECTED THEIR RIGHTS

• AIAI RECOGNIZES JUSTIN TRUDEAU AND THE LIBERAL PARTY IN FORMING CANADA’S MAJORITY GOVERNMENT.

• SUBMIT TO THE NSI ONLINE SHORT FILM FESTIVAL; OVER $4K TO BE WON

• INDIGENOUS TWEETS TRENDING DURING ELECTION 2015

• SPOTLIGHT ON FOUR INDIGENOUS POLITICIANS REPRESENTING THE FEDERAL PARTIES

• INDIGENOUS LIBERAL CANDIDATE, TRISHA COWIE ON TAKING DOWN THE CONSERVATIVES

• imagineNATIVE/HAROLD GREENBERG FUND LAUNCH INDIGENOUS STORY EDITING MENTORSHIP

• PROLIFIC INDIGENOUS FILMMAKER; HEATHER RAE AT imagineNATIVE 2015

• WILL THE FEDERAL ELECTION RESULT IN RECONCILIATION OR COLONIALISM-AS-USUAL?

• AFN NATIONAL CHIEF SAYS CONSERVATIVE PARTY PLATFORM PROVIDES SOME INVESTMENTS BUT DOES NOT DO ENOUGH TO CLOSE THE GAP

• DAY 2 OF IMAGINENATIVE | DIGITAL MEDIA SHOWCASE + LAWRENCE MAKOARE OF THE LORD OF THE RINGS

• OPPORTUNITIES FOR ABORIGINAL ARTISTS AND ORGANIZATIONS IN THE TDSB

• HARBOURFRONT CENTRE CELEBRATES THE DAY OF THE DEAD WITH A CONTEMPORARY TWIST, NOVEMBER 7–8

• 2016 JUNO AWARDS NOW ACCEPTING SUBMISSIONS FOR ABORIGINAL ALBUM OF THE YEAR

• CALL FOR APPLICATIONS – CREATE NEW WORK IN FASHION, TEXTILES & WEARABLE ART

• IMAGINENATIVE FILM + MEDIA ARTS FESTIVAL | WELCOME GATHERING POW WOW AND OPENING NIGHT GALA + PARTY

• SAMI INDIGI TALKS: imagineNATIVE 2015, RECONCILIATION AND HEALING THROUGH FILMMAKING

• STARTING TOMORROW! – IMAGINENATIVE FILM + MEDIA ARTS FESTIVAL

• INDIGENOUS & INGENIOUS SHOW & SALE

• A FIRST NATIONS TAKE ON THANKSGIVING: YOU’RE WELCOME WEEKEND

• CURANDERISMO: SOUL LOSS AND RETRIEVAL

• READY. SET. VOTE.

• CALL FOR INDIGENOUS YOUTH VENDORS FOR EVERGREEN’S WEEKEND MARKET

• EMERGING DIRECTORS JOIN LEADING INDIGENOUS ARTISTS AS IMAGINENATIVE FEATURES SIX NFB SHORT FILMS

• 2016 PREMIER’S AWARDS FOR EXCELLENCE IN THE ARTS | ENTER YOUR NOMINATIONS BY DECEMBER 1, 2015!

• PHIL COTE TALKS FIRST STORY: TORONTO HISTORY THROUGH AN INDIGENOUS LENS

• MEET THE 2015 GOVERNOR GENERAL’S LITERARY AWARDS FINALISTS

• BOOK LAUNCH, AUTHOR READING AND RECEPTION FOR BEARSKIN DIARY A NOVEL BY CAROL DANIELS

• CCAB CALLS FOR NOMINATIONS FOR THE 2016 LIFETIME ACHIEVEMENT AWARD

• CANADA’S FIRST INTERNATIONAL INDIGENOUS SPEAKER SERIES LAUNCHES OCT 10, 2015 AT THE BELLA CONCERT HALL

• MARIA HUPFIELD: STAY GOLDEN EXHIBITION

• JUST ONE WEEK UNTIL $15 PREVIEWS | HUFF BY CLIFF CARDINAL

• ACCLAIMED FILMMAKER ALANIS OBOMSAWIN PASSES THE TORCH TO THE NEXT GENERATION

• CALL FOR SUBMISSIONS: ONE MONTH LEFT TO APPLY TO UNTAPPED EMERGING ARTISTS COMPETITION

• SISTERS AND DAUGHTERS | A POEM BY JOHN MOORE

• PROVINCE UNDERTAKES FIRST-EVER STRATEGY ON ARTS AND CULTURE IN ONTARIO

• IMAGINENATIVE ANNOUNCES SHORT FILM PROGRAMMES

• MURAL TO BE UNVEILED AT THE UNDERPASS OF LOWER DON RIVER TRAIL WITH BALA RAIL LINE

• ASSEMBLY OF FIRST NATIONS NATIONAL CHIEF TO PARTICIPATE IN VANCOUVER VIGIL FOR MISSING AND MURDERED INDIGENOUS WOMEN

• TANTOO CARDINAL TO RECEIVE THE AUGUST SCHELLENBERG AWARD OF EXCELLENCE

• LORRIE GALLANT IS AWARDED THE FIRST ANNUAL ONTARIO ARTS FOUNDATION ARTIST EDUCATOR AWARD

• “WEESAGEECHAK BEGINS TO DANCE 28” LINE-UP ANNOUNCED

• TOM JACKSON ANNOUNCES RELEASE OF BALLADS NOT BULLETS – DUE OUT OCTOBER 16, 2015

• PANACHEESE FAMILY COMMENTS ABOUT UPCOMING FIRST NATIONS YOUTH INQUEST IN THUNDER BAY

• EDUCATION DAYS | EZHINIIGAANZIME – MOVING FORWARD TOGETHER

• VIDEO: OFIFC AND 5 FRIENDSHIP CENTRES RELEASE FILM ON TRADITIONAL FOODS

• CONTINUE ON THE PATH TOWARDS HEALTH AND RECONCILIATION: INDIGENOUS HEALTH CONFERENCE 2016

• NATIONAL CHIEF PROMOTES SELF-ASSIMILATION

• IMAGINENATIVE PRESENTS EXHIBITION PREMIERES AND ANNUAL ART CRAWL!

• APPLY NOW FOR NSI ABORIGINAL DOCUMENTARY, DEADLINE NOV. 2

• ABORIGINAL LEGAL SERVICES IN CANADA AND AUSTRALIA JOIN FORCES TO INCREASE ACCESS TO JUSTICE FOR ABORIGINAL COMMUNITIES

• IMAGINENATIVE ANNOUNCES FEATURE FILMS AND DOCUMENTARIES

• REKMANS FIRST INDIGENOUS WOMAN ON THE BALLOT IN RIDING HISTORY

• JAY BELL REDBIRD

• ONTARIO CULTURE DAYS CELEBRATES CRAFT YEAR 2015!

• COMMEMORATION OF FIRST NATIONS WWI HERO GETS FUNDING BOOST

• TRAVIS SHILLING

• NATIVE CANADIAN CENTRE OF TORONTO

• IMAGINENATIVE FILM + MEDIA ARTS FESTIVAL

• ASSEMBLY OF FIRST NATIONS NATIONAL CHIEF SAYS THE FEDERAL PARTY LEADERS DEBATE IGNORES FIRST NATIONS ECONOMIC ISSUES

• BOOK RELEASE: ALGONQUIN SPRING – SECOND NOVEL OF THE ALGONQUIN QUEST SERIES

• INVITATION: ARTIST TALK WITH ROLANDE SOULIERE ON UPCOMING STREETART INSTALLATION

• CARLETON UNIVERSITY ART GALLERY HOSTS INSTALLATION HONOURING MISSING AND MURDERED INDIGENOUS WOMEN, GIRLS AND TWO-SPIRIT PEOPLE

• MIZIWE BIIK ABORIGINAL EMPLOYMENT AND TRAINING

• UPDATE: EXTENDED APPLICATION DEADLINE – ARTIST PROJECT CONTEMPORARY ART FAIR

• NEW CARLETON PROGRAM AIMS TO REVIVE THE TRADITIONAL ART OF CRAFTING MOCCASINS

• BOOK REVIEW : HEARTBEAT OF A WARRIOR: ABORIGINAL MEN’S WRITING, ART AND CULTURE

• $15,000 VIDEO CONTEST ABOUT “THE SQUEEZE” ON YOUNGER CANADIANS – DEADLINE SEPT 29

• THE ELEVEN INDIGENOUS FILMMAKERS AT TIFF 2015

• CONTEMPORARY NORTHWEST COAST ART IS TRANSFORMING SPIRITS FOR THE MCMICHAEL CANADIAN ART COLLECTION

• EXPRESSION OF INTEREST | CALL FOR CANADIAN ABORIGINAL ARTISTS – EDMONTON’S ABORIGINAL ART PARK

• G’ZAAGIN ART GALLERY

• SHARIFAH MARSDEN

• INHABITING THE NORTH AT VOZ-À-VOZ / VOICE-À-VOICE , OPENING SEPTEMBER 18

• FIRE SONG: TWO-SPIRITS, SUICIDE, AND A JOURNEY TO FIND LOVE

• ADVANCING THE RIGHTS OF INCARCERATED WOMEN, MOTHERS AND THEIR CHILDREN

• ROSALIE FAVELL: (RE)FACING THE CAMERA AT MACKENZIE ART GALLERY FROM AUGUST 29 – NOVEMBER 22, 2015

• NSI ONLINE SHORT FILM FESTIVAL ACCEPTING SUBMISSIONS, NEW CASH AWARD FOR BEST DOC

• CALL FOR PAPERS | DEMETER PRESS IS SEEKING SUBMISSIONS FOR AN EDITED COLLECTION ENTITLED PLACENTA WIT: MOTHER STORIES, RITUALS, AND RESEARCH

• CURANDERISMO: BEING MEDICINE

• CALL FOR APPLICATIONS – US PRODUCER HEATHER RAE LEADS INAUGURAL IMAGINENATIVE/CMPA MINI-LAB FOR CANADIAN INDIGENOUS FILM PRODUCERS

• RISING TENSIONS IN BOLIVIA OVER OIL AND GAS EXPLOITATION ON INDIGENOUS LANDS

• KO K’E STORYTELLING FESTIVAL | CELEBRATING STRONG INDIGENOUS WOMEN

• THE ART FOR AID PROJECT – A FUNDRAISING CAMPAIGN FOR ABORIGINAL YOUTH ART EDUCATION PROGRAMS

• SACRED WATER WALK 2015: LIVING IN THE SEVENTH FIRE

• THE DARKLY COMIC HUFF BY CLIFF CARDINAL OPENS NATIVE EARTH PERFORMING ARTS’ 2015-16 SEASON!

• JOSEPH MORRISON LEGACY FUND – 2015 STUDENT BURSARY

• IMAGINENATIVE ANNOUNCES KENT MONKMAN PREMIERE, A NEW ART+CADE AND MORE!

• CALL FOR NOMINATIONS: COMMUNITY ADVISORY COUNCIL FOR THE WAAKEBINESS-BRYCE INSTITUTE FOR INDIGENOUS HEALTH

• THE INDIGENOUS GROUP OF SEVEN

• FIRST NATIONS YOUTH FROM ACROSS ONTARIO TRAVEL TO LONDON TO LEARN ABOUT HEALTHY RELATIONSHIPS AND COMMUNITY SAFETY

• RECRUITING ABORIGINAL ​​AMBASSADORS FOR RIVERS RISING PROJECT

• UNTAPPED EMERGING ARTISTS COMPETITION

• THE KINDESS OF STRANGERS | DISCOVER 3 NEW FILMS ON EXTRAORDINARY PEOPLE

• MUSKRAT MAGAZINE’S NEW COMMUNITY FEATURES

• FILM: THE ACTIVIST DIRECTED BY CYRIL MORIN

• MAKING TREATY 7 RETURNS SEPTEMBER 23, 24 & 25, 2015

• imagineNATIVE Film + Media Arts Festival announces Opening and Closing Night Films!

• CHARLIE’S COUNTRY: ABORIGINAL AUSTRALIA AT TIFF BELL LIGHTBOX

• ASSEMBLY OF FIRST NATIONS CONGRATULATES CHIEFS OF ONTARIO AND GOVERNMENT OF ONTARIO ON POLITICAL ACCORD

• CALL FOR ARTISTS: ARTSCAPE SANDBOX LAUNCHES TWO EXCITING INITIATIVES FOR PROFESSIONAL ARTISTS

• “HONOUR THE SOURCE” WATER CAMPAIGN

• ABORIGINAL CURATORIAL COLLECTIVE/COLLECTIF DES COMMISSAIRES AUTOCHTONES 2015 AGM – AGA TORONTO SEPT 20

• FIGHT THE POWER: 100 HEROES OF NATIVE RESISTANCE, WOMEN WARRIORS

• CRIS DERKSEN

• ONCE A TREE

• 2016 CALL FOR MANUSCRIPTS: INDIGENOUS CHILDREN’S RIGHTS

• TONIGHT AT ASINABKA FESTIVAL | FRI, AUG 21, 2015

• ABORIGINAL ARTS PROJECTS – GRANTS PROGRAM

• CELEBRATING INDIGENOUS EDUCATION EXPANSION PARTNERSHIP IN YORKTON

• CALL FOR PROPOSALS | 17TH ANNUAL SYMPOSIUM ON INDIGENOUS RESEARCH: RETHINKING RECONCILIATION

• ANNUAL GATHERING EXPLORES TRADITIONAL ROLE OF ELDERS IN GUIDING FIRST NATIONS

• BRAIDS OF RESISTANCE: COMMUNITY CREATION

• ASINABKA FESTIVAL: OPENING NIGHT OUTDOOR FILM SCREENING

• THE ASINABKA FILM & MEDIA ARTS FESTIVAL PROGRAM ANNOUNCED

• REQUEST FOR PROPOSALS | 4RS YOUTH MOVEMENT PROMOTIONAL VIDEO

• CALL FOR ART SUBMISSIONS | IMAGINENATIVE & SETSUNÉ – TOTE BAG ARTWORK PROJECT

• THE POWER OF CHEROKEE WOMEN

• MAKING TREATY 7 RETURNS!

• SEVENTH ANNUAL ABORIGINAL MUSIC WEEK 2015 STARTS AUGUST 18

• ARTIST PROJECT CONTEMPORARY ART FAIR | INVITING ARTISTS TO SUBMIT PROJECTS

• CANADIAN CITIES ROOTED IN TRADITIONAL INDIGENOUS TERRITORIES

• OJIBWE MOONS

• AUGUST 15: SPECTACULAR GRAND FINALE OF THE PAN AM PATH ART RELAY AT ROUGE BEACH FEATURES INTERNATIONALLY- ACCLAIMED FIRST NATIONS ARTISTS

• SEEKING EXPECTANT PARENTS FOR SCOTIABANK NUIT BLANCHE BABY SOUND PROJECT

• BACKBONE: WORLD PREMIERE – A CUTTING-EDGE NEW DANCE CREATION INSPIRED BY THE ‘SPINE’ OF THE AMERICAS.

• JOIN TREATY 8 NATIONS AND SAY “NO DAM WAY!” TO SITE C | DONATION CAMPAIGN

• FIRST NATIONS FILM ‘FIRE SONG’ TO BE SCREENED AT TIFF – VIEW TRAILER

• MIA’ FILM IS MAKING ITS WORLD PREMIERE AT TORONTO INTERNATIONAL FILM FESTIVAL

• WILLA BLACK TO RECEIVE THE 2015 AWARD FOR EXCELLENCE IN ABORIGINAL RELATIONS FROM THE CANADIAN COUNCIL FOR ABORIGINAL BUSINESS AND SODEXO CANADA

• IMAGINENATIVE ANNOUNCES 2015 JURY

• MAADAADIZI / SUMMER JOURNEYS – THE GRAND FINALE OF THE ART RELAY

• NOTICE OF AUDITIONS FOR NATIVE EARTH PERFORMING ARTS

• CALL FOR PAPERS: FEMINIST PERSPECTIVES ON THE FAMILY

• TRADITIONAL, CONTEMPORARY, AND FUTURISTIC MUSIC ON THE MENU FOR AMW AT LUNCH PRESENTED BY DIGITALDRUM.CA

• WHEN WILL YOU RAGE?

• ABORIGINAL FOUNDATIONS PROGRAM – RYERSON UNIVERSITY

• SETSUNE FASHION INCUBATOR TAKES BACK WHAT WAS STOLEN

• VISUAL ARTS PROGRAM – GALLERY EDUCATION INDIGENOUS PRACTICUM

• HEARTBEAT OF A WARRIOR – ABORIGINAL MEN’S WRITING, ART & CULTURE

• PROJECT GRANTS | TORONTO ARTS COUNCIL’S INDIGENOUS ARTS PROJECTS

• THE BANFF CENTRE EVENTS – AUG 6 – 12

• UP WHERE WE BELONG EXHIBITION – PLANET INDIGENUS

• COMMUNITY LEADERSHIP PROGRAM – MINERVA FOUNDATION FOR BC WOMEN

• AMAZING ACTS YOU CAN ATTEND AT PLANET INDIGENUS 2015

• RAVEN KANATAKTA ON WHAT’S NEW WITH DIGGING ROOTS

• WAR TO LAUNCH NEW NATIONAL ABORIGINAL MAGAZINE ‘BLACK NATIONS RISING’

• FIRST NATIONS YOUTH LEARN SCIENCE THROUGH CULTURE AT YOUTH DEVELOPMENT CAMP

• 2015 ONTARIO ARTS COUNCIL ABORIGINAL ARTS AWARD

• CURANDERISMO: MEXICA ORIGINS & THE ART OF HEALING

• GLEN GOULD

• I AM A WITNESS CAMPAIGN

• BRAID OF RESISTANCE

• THE HISTORY OF RAISED IROQUOIAN BEADWORK

• TREATY FOUR BANNER DESIGN CONTEST

• CALL OUT FOR ARTISTS: REQUEST FOR PROPOSALS

• ASSEMBLY OF FIRST NATIONS NATIONAL CHIEF SAYS UN HUMAN RIGHTS COMMITTEE REPORT MORE EVIDENCE ON NEED TO CLOSE THE GAP BETWEEN FIRST NATIONS AND CANADA, WAY FORWARD IS ACTION ON FIRST NATIONS RIGHTS

• THE WITNESS BLANKET: THE MOST TANGIBLE REMINDER OF RESIDENTIAL SCHOOLS

• COMMUNITY & COMMERCE: COMING FULL CIRCLE WITH INDIGENOUS PARTNERSHIPS

• INWUD PUTS IN INPUD’S FIRST HUMAN RIGHTS SUBMISSION AGAINST USA’S TREATMENT OF PREGNANT WOMEN

• INUK SINGER SUSAN AGLUKARK INSPIRES POSITIVE CHANGE

• OPEN GALLERY PRESENTATION – PREVIEW NORVAL MORRISEAU

• FEATURED VENDOR OF THE ABORIGINAL PAVILION: LORETTA GOULD

• WELCOMING THE SACRED WATER WALK 2015 – TORONTO, ON

• COMPELLING INDIGENOUS SUMMER READS FOR 2015

• PLANET INDIGENUS RETURNS WITH OVER 300 ARTISTS FROM AROUND THE GLOBE

• INTERNATIONAL ARTISTS TO HELP LOCALS EXPAND OVERSEAS DURING ABORIGINAL MUSIC WEEK 2015

• ASSEMBLY OF FIRST NATIONS NATIONAL CHIEF URGES PREMIERS FOR ACTION IN PARTNERSHIP, PRESSES FEDERAL GOVERNMENT TO COME TO THE TABLE

• OIL + GAS DRILLING ON BLACKFEET NATION SHORT DOCUMENTARY FILM – EARTH SPEAKS

• CURANDERISMO: THE ART OF HEALING AND WELLNESS

• MORE INDIAN ERNIE: INSIGHTS FROM THE STREET BY ERNIE LOUTTIT – BOOK RELEASE

• CREE ARTIST, AARON PAQUETTE SEEKS NDP NOMINATION IN EDMONTON RIDING

• REQUIEM OF WATER BY MEAGHAN OGILVIE

• A GROUNDBREAKING ARTS PARTNERSHIP LOOKS TO THE PAST & FUTURE FOR NEW DIALOGUES BETWEEN ABORIGINAL AND NON-ABORIGINAL PEOPLES IN CANADA

• NFB ARCHIVES REMIXED BY TOP TALENT FOR ABORIGINAL PAVILION

• MUST SEE ACTS AT THE PAN AM ABORIGINAL PAVILION

• WABANO CENTER: PAN AM YOUTH TRIP FUNDRAISING CAMPAIGN

• “CHIMEDA – WE ARE PADDLING” IS RECONCILIATION IN ACTION

• PITCH: ISSUES AROUND COMMEMORATING INDIAN RESIDENTIAL SCHOOLS

• COALITION MUSIC CREATES A NEW TEMPO KEEPING ABORIGINAL YOUTH IN SCHOOL

• ROSARY SPENCE

• WATER WALKERS UNITED

• TURTLE ISLAND BLOCK PARTY TO MIX BLUES WITH POW WOW AND SQUARE DANCING

• LEGAL STRATEGY COALITION ON VIOLENCE AGAINST INDIGENOUS WOMEN RELEASES KEY CONCERNS WITH RCMP “MISSING AND MURDERED ABORIGINAL WOMEN: 2015 UPDATE”

• LOGAN STAATS’ SOUL SATISFYING ALBUM DEBUT: GOODBYE GOLDIA

• SEVEN YOUTH THAT CAN ROCK A HAND DRUM YO!

• NATIONHOOD INTERRUPTED: REVITALIZING NÊHIYAW LEGAL SYSTEMS BY SYLVIA MCADAM

• AYLAN COUCHIE RECEIVES INTERNATIONAL SCULPTURE CENTER’S 2015 OUTSTANDING STUDENT ACHIEVEMENT IN CONTEMPORARY SCULPTURE AWARD

• ANISHINABEK MOURN THE PASSING OF CHIEF RICHARD SHAWANDA

• THE BIG WINNERS AT THE 2015 ABORIGINAL ARTS & STORIES AWARDS

• TALKING TORONTO TREATIES

• INTERCONTINENTAL CRY ANNOUNCES EDITORIAL BOARD

• TINY NUNAVUT HOCKEY SENSATION INVITED TO PLAY ELITE IN EUROPE

• CHIEFS OF ONTARIO ADVANCE RELATIONSHIP THROUGH NEW POLITICAL ACCORD WITH PROVINCE

• INTERNATIONAL JOURNAL FOR INDIGENOUS HEALTH AND FIRST NATIONS HEATH AUTHORITY LAUNCH CALL FOR WELLNESS-BASED HEALTH INTERVENTION PAPERS

• SPENCE NEIGHBOURHOOD BLOCK PARTY MOVES TO WEDNESDAY, CONCERT LINEUP ANNOUNCED

• HAPPY ABORIGINAL DAY: MUSKRAT’S ACTION PACKED LIST OF CELEBRATIONS ACROSS TURTLE ISLAND 2015

• DANIEL DAVID MOSES RECEIVES 2015 ONTARIO ARTS COUNCIL ABORIGINAL ARTS AWARD

• SOLIDARITY DAY 2015 EVENT – SIX NATIONS OF THE GRAND RIVER

• SECOND GENERATION SURVIVOR USES 19TH CENTURY RACIST RELIC AS TEACHING TOOL

• 8TH ANNUAL SOUTH EAST SCARBOROUGH POW WOW

• CHIPPEWAR ART SHOW

• PAN AM TORCH RELAY AT MISSISSAUGAS OF THE NEW CREDIT FIRST NATION

• ABORIGINAL PAVILION ANNOUNCES FULL ARTS FESTIVAL LINEUP (JULY 10-26TH, TORONTO)

• INTI RAYMI CELEBRATION AND FATHER’S DAY SALE!!

• 21st ANNUAL NATIONAL ABORIGINAL DAY SUNRISE CEREMONY

• 160 ACRES OF DONATED COAST FORESTS AND WETLANDS TO THE NATIVE VILLAGE OF TYONEK

• RECLAIM THE STREETS! RALLY AND MARCH TO END GENDER BASED VIOLENCE

• 8 LIFE-CHANGING INDIGENOUS SUMMER CULTURE CAMPS FOR YOUTH 2015

• WINNER OF THE PMC ABORIGINAL LITERATURE AWARD ANNOUNCED

• KAHA:WI DANCE THEATRE (KDT) ANNOUNCES 7TH ANNUAL SUMMER INTENSIVE 2015

• FINAL WEEKEND – STITCH PERFORMANCE CLOSES SUNDAY JUNE 14

• WALKING IN BALANCE AND HARMONY: A CONFERENCE ON ENDING VIOLENCE IN FIRST NATIONS FAMILIES

• RFP: URBAN NATIVE PROJECT

• imagineNATIVE WELCOMES TDSB STUDENTS, STAFF, PARENTS AND ADVISORS TO THE 16TH FESTIVAL IN OCTOBER 2015

• ‘TWO ROADS – ONE MAN’S STORY OF RESILIENCE’ SHORT FILM

• THE MCMICHAEL CANADIAN ART COLLECTION’S SUMMER EXHIBITION, 7: PROFESSIONAL NATIVE INDIAN ARTISTS INC.

• MÉTIS DIRECTOR TAKES CROWDFUNDING PLUNGE FOR GOD’S ACRE

• URBAN SHAMAN CONTEMPORARY ABORIGINAL ART EXHIBITIONS

• PUBLIC MONUMENT TO HONOUR SHANNEN KOOSTACHIN

• ABORIGINAL HOMEOWNERSHIP PROGRAM INFO SESSION – MIZIWE BIIK

• 8 INSPIRING MOMENTS AT THE CLOSING OF THE TRUTH & RECONCILIATION COMMISSION

• 14TH ANNUAL NA-ME-RES TRADITIONAL OUTDOOR POW WOW – FREE ADMISSION | FORT YORK

• ANISHINABEK NATION TAKES HISTORIC STEP FORWARD TO RECLAIM INHERENT JURISDICTION OVER CHILD WELFARE

• ABORIGINAL DAY EVENTS – INDIGENOUS LEARNING CENTRE | GUELPH, ONTARIO

• THE MANITO AHBEE FESTIVAL IS CELEBRATING ITS 10TH ANNIVERSARY

• #FNLROM: INDIGENOUS NOW | ROM – FRIDAY, JUNE 5, 2015

• CELEBRATE THE REVITALIZED WATERFRONT WITH HARBOURFRONT CENTRE’S NEW SEASON OF GREAT PROGRAMMING

• ABORIGINAL HISTORY MONTH AT THE LIBRARY. A REASON TO CHECK OUT THE TPL

• ABORIGINAL MUSIC WEEK WELCOMES THE AUSTIN STREET FESTIVAL TO IT’S FAMILY, PERFORMERS ANNOUNCED

• HEART GARDENS IN HONOUR OF CHILDREN LOST TO THE INDIAN RESIDENTIAL SCHOOL SYSTEM

• EDUCATION IS KEY TO RECONCILIATION | ASSOCIATION OF IROQUOIS AND ALLIED INDIANS (AIAI)

• NATIONAL ABORIGINAL DAY CELEBRATION – FREE ADMISSION | TORONTO ZOO

• NATIONAL ABORIGINAL HISTORY MONTH 2015 | TORONTO EVENTS

• CALL FOR NOMINATIONS FOR BEST NEW NORTHERN ARTIST | BARBARA LARONDE AWARD

• ‘RECONCILIATION & THE WAY FORWARD’ BOOK LAUNCH – OPEN SPACE CENTRE

• ANISHINABEK NATION ENCOURAGES EVERYONE TO JOIN THE WALK FOR RECONCILIATION ON MAY 31

• NINE UNCOVERED FACTS CONNECTED TO THE TRUTH RECONCILIATION COMMISSION OF CANADA

• OPEN SPACE CENTRE – 3 UPCOMING ABORIGINAL EVENTS

• INVITATION BY RSVP – OPENING NIGHT PERFORMANCE OF ‘STITCH’

• PEOPLE VS BIG OIL: FILMMAKER MICHEAL AUGER AND THE FIRST ALL INDIGENOUS GREENPEACE DELEGATION STAND UP TOGETHER

• ANISHINABEK NATION MEETS WITH MNR TO ADVANCE PRIORITIES

• INDIGENOUS MUSIC AND ARTS FESTIVAL – PAN AM GAMES | ABORIGINAL PAVILION

• CALL FOR ABSTRACTS – ABORIGINAL NURSES ASSOCIATION OF CANADA

• TRACK PREMIERE ‘PRIDE OF LIONS’ – JOEY STYLES

• ‘WELCOME TO KANATA’ SCREENING – TORONTO ANIMATED IMAGE SOCIETY

• STITCH BY CLIFF CARDINAL

• THE ULTIMATE WARRIOR – PAVED ARTS

• {RE}CONCILIATION CALL FOR PROPOSALS – CANADA COUNCIL FOR THE ARTS

• THE GATHERING – ABORIGINAL HISTORY MONTH CELEBRATION | PEEL ABORIGINAL NETWORK

• 8 AMAZING THINGS, YOU MAY NOT KNOW ABOUT BUFFY SAINTE-MARIE…

• RED RIDE TOUR RETURNS

• DREAM BIG CONFERENCE KICKS OFF MAY 27 | WHITE WATER GALLERY HIRES NEW EXECUTIVE DIRECTOR

• CARLETON PRESENTS: CHILEAN–INDIGENOUS RELATIONS: SOME LESSONS FOR CANADA

• ‘AFTER THE FIRE’ AN EXPERIENTIAL FORAY INTO THE POLITICS AND STORIES FROM THE IDLE NO MORE MOVEMENT

• DOUBLE HONORS FOR JANE ASH POITRAS PLUS A MAJOR SHOW OF HER ART COMING

• DOORS OPEN TORONTO – NATIVE WOMEN’S CENTRE OF TORONTO

• GODS ACRE – SHORT FILM CROWDFUNDING CAMPAIGN

• ABORIGINAL WRITING CONTEST – SECOND STORY PRESS

• SIX NATIONS’ COMMUNITY AWARENESS WEEK 2015

• DREW HAYDEN TAYLOR’S GOD AND THE INDIAN IN TORONTO

• JAMES BARTLEMAN ABORIGINAL YOUTH CREATIVE WRITING AWARDS

• ASINABKA INDIGENOUS FILM & MEDIA ARTS FESTIVAL 2015 – CALL FOR SUBMISSIONS

• THE LAND WE ARE – ARTISTS AND WRITERS UNSETTLE THE POLITICS RECONCILATION

• TALK WITH TAMARA BULL

• VIOLENCE NO MORE – IT STARTS WITH US – SAT, MAY 23, 2015 – NATIVE CANADIAN CENTRE OF TORONTO

• ABORIGINAL PRE-EMPLOYMENT DEVELOPMENT PROGRAM

• SETSUNÉ INDIGENOUS FASHION INCUBATOR

• ANGELA DEMONTIGNY

• HAND OF SOLOMON

• CANARD BLANC CREATIONS

• TAC ANNOUNCES NEW PROJECT GRANTS PROGRAM FOR INDIGENOUS ARTS


• LOCAL ARTIST SEAN COUCHIE TO BRING AWARENESS TO THE MISSING AND MURDERED INDIGENOUS WOMEN AND GIRLS THROUGH HIS FIRST SHOW, SEE ME

• FIRST NATION COMMUNITIES READ ANNOUNCES 2015-2016 SHORTLIST OF BOOKS FOR YOUNG ADULTS AND ADULTS

• OFIFC SURVEYING THE LANDSCAPE OF INDIGENOUS ARTS IN ONTARIO

• REQUEST FOR EXPRESSION OF INTEREST: StreetARToronto (START) BALA PEDESTRIAN UNDERPASS PROJECT

• A GROUNDBREAKING ARTS PARTNERSHIP LOOKS TO THE PAST & FUTURE FOR NEW DIALOGUES BETWEEN ABORIGINAL AND NON-ABORIGINAL PEOPLES IN CANADA

• TREATY EDUCATION RESOURCE TO BE LAUNCHED

• ‘PROPER EDUCATION RESOURCING PRODUCES RESULTS’: MADAHBEE

• INDIGICADE – CALL FOR SUBMISSIONS

• REPRESENTATIONS OF TIME AND PLACE PART 3

• DANCE THE NIGHT AWAY: DONNA’S BOY AND MUSKRAT MAGAZINE CELEBRATE NEW BEGINNINGS

• ONTARIO REGIONAL CHIEF BEARDY SAYS 2015 FEDERAL BUDGET UNINSPIRED AND SILENT ON FIRST NATION PRIORITIES

• FEDERAL BUDGET LEAVES FIRST NATIONS BEHIND AGAIN

• THE RED RIDE TOUR HITS THE ROAD IN ITS FIFTH INCARNATION WITH A MIX OF MUSICAL GENRES AND INDIGENOUS ARTISTS

• HONORARY DEGREE FOR JANE ASH POITRAS + A MAJOR SHOW OF HER ART COMING

• 3RD ANNUAL MINAAKE AWARDS: WALKING A GOOD PATH

• KAHA:WI DANCE THEATRE: MEMORIES OF OUR ANCESTORS, A LIVING TRADITION

• LETTER FROM THE EDITOR: THE INDIGENOUS ARTS EDUCATION ISSUE

• POETRY REVIEW: JANET ROGERS’ PEACE IN DURESS

• NATIVE EARTH PERFORMING ARTS AND FIREHALL ARTS CENTRE PRESENT GOD AND THE INDIAN

• BOOK RELEASE: RESIDENTIAL SCHOOLS, WITH THE WORDS AND IMAGES OF SURVIVORS

• INDIGENOUS CURATORIAL RESIDENCY AT ACEARTINC.

• CHIEFS OF ONTARIO CALL FOR ACCOUNTABILITY IN THE WAKE OF CINDY GLADUE DECISION

• CALL FOR SUBMISSIONS: ASINABKA INDIGENOUS FILM & MEDIA ARTS FESTIVAL 2015

• NO JUSTICE NO PEACE: HONOURING CINDY GLADUE

• FRACTURED LAND HAS WORLD PREMIERE AT HOT DOCS

• INTEGRAL & INTRINSIC: MAZINAAKIZIGEWIN “THE ART OF PHOTOGRAPHY”

• BILL C-51 IS ABOUT CONTROL, NOT TERRORISM

• 3RD ANNUAL MINAAKE AWARDS CELEBRATE SIX ABORIGINAL WOMEN WHO ARE “WALKING THE GOOD PATH”

• THE UNPLUGGING: POST-APOCALYPTIC STEREOTYPES OR CREATIVE INTERPRETATION?

• ONTARIO CHIEFS MEET WITH OPPOSITION PARTIES, CALL FOR FOCUS ON INDIGENOUS ISSUES IN UPCOMING FEDERAL ELECTION

• ROM SUMMER CLUB + YOUTH PROGRAM INTERNSHIP

• U OF T’S INSTITUTE FOR INDIGENOUS HEALTH UNIQUELY NAMED TO HONOUR CANADIANS’ COMMITMENT TO INDIGENOUS PEOPLES

• INHABITING THE NORTH: ALLIES, PERFORMANCE & INDIGENOUS FEASTING AT THE EQUINOX

• SUNVAULT ENERGY ANNOUNCES NEW PRESIDENT AND ENTERS INTO TWO FIRST NATION AGREEMENTS

• CREE INFORMED FANTASY A WELCOME CONTRIBUTION TO THE GENRE

• 2015 SUMMER WORKSHOP SERIES, APRIL – AUGUST

• NEW TITLE BY CHERIE DIMALINE TO EXPLORE SIX VOICES

• 2015 INDIGENOUS AWARENESS WEEK AT UNIVERSITY OF WESTERN ONTARIO

• CANADA COMMITS ‘GRAVE VIOLATION’ OF RIGHTS OF ABORIGINAL WOMEN AND GIRLS

• WALKING IN BALANCE / MEEYAU–OSSAEWIN

• TORONTO ORGANIZATIONS SERVING URBAN ABORIGINAL YOUTH RECEIVE FEDERAL FUNDING

• TREATIES MARK LEGITIMACY OF FIRST NATION JURISDICTION

• QUINTE MOHAWK STUDENTS CALL FOR CHANGE THROUGH SONG

• FIRST NATIONS POLITICAL LEADERS PARTICIPATE IN NATIONAL ROUNDTABLE ON MISSING AND MURDERED INDIGENOUS WOMEN, CONTINUE TO CALL FOR A NATIONAL INQUIRY

• SYSTEMIC ISSUES NEED TO BE ADDRESSED IN AN INQUIRY: MADAHBEE

• CANADA’S LONGEST RUNNING ABORIGINAL BUSINESS, COMMUNITY AND ECONOMIC DEVELOPMENT CONFERENCE CELEBRATING 19 YEARS IN 2015

• WHERE IS YOUR HEART? CANADA’S PROBLEM ON VIOLENCE AGAINST INDIGENOUS WOMEN AND GIRLS

• HUNDREDS OF RECOMMENDATIONS GO UNIMPLEMENTED: LEGAL STRATEGY COALITION DEMANDS GREATER GOVERNMENT COMMITMENT AND ACCOUNTABILITY TO ENDING VIOLENCE AGAINST INDIGENOUS WOMEN AND GIRLS

• COASTAL FIRST NATIONS DANCE FESTIVAL CONTINUES LEGACY OF TRADITIONAL STORIES, SONGS AND DANCES FOR ARTISTS AND AUDIENCES

• ‘PUBLIC POLICY IN ONTARIO MUST CONSIDER THE TREATY LENS’: CHIEF DAY

• ANISHINABEK CONCERNED WITH BILL C-5, THE ANIT-TERRORISM ACT

• HONOURING INDIGENOUS TALENT AND THE OSCARS

• HOW DO YOU SAY OTIPEMISIWAK IN FRENCH?: MÉTIS IDENTITY OUTSIDE THE RED RIVER

• HARPER’S REFUSAL TO ACT = AN ACT OF VIOLENCE AGAINST INDIGENOUS WOMEN

• THE BANFF CENTRE RECEIVES $1.075 MILLION FROM RBC IN SUPPORT OF INDIGENOUS ARTS AND ARTISTIC PROGRAMS

• FIRST NATIONS LEADERS CHAMPION “OUR OWN INQUIRY” FOR MISSING AND MURDERED INDIGENOUS WOMEN

• SHORT FILMS BIG DREAMS – THE CANADIANA EXPERIENCE AT THE 8 FEST

• 10TH ANNUAL STRAWBERRY CEREMONY FOR MISSING AND MURDERED INDIGENOUS WOMEN, GIRLS, TRANS, AND TWO SPIRIT PEOPLE AND THOSE WHO HAVE DIED VIOLENT DEATHS

• INDIGENOUS PEOPLE DOMINATING THE HEADLINES: LOOKING BACK AND FORWARD

• 2015 JUNO AWARDS INDIGENOUS NOMINEE PLAYLIST

• UNDOING BORDER IMPERIALISM

• AWBEN 2015 CONFERENCE

• CHIEFS OF ONTARIO STATEMENT ON THE PASSING OF YOUNG WARRIOR MAKAYLA SAULT

• CEREMONY & MEDIA WITH NOKOMIS, MARY LOU SMOKE

• 13 WAYS TO BOOST BRAINPOWER BY HONOURING CONNECTION

• GLEN GOULD KEEPS IT REAL: PART TWO

• TIME MANAGEMENT OR TIME WARS?

• GLEN GOULD KEEPS IT REAL: PART ONE

• DRESS IT UP OR DRESS IT DOWN – WHERE THE BLOOD MIXES IS ALWAYS QUALITY THEATRE

• MUSKRAT READERS ELECTION RESULTS FOR AFN NATIONAL CHIEF

• HOW BURNABY MOUNTAIN AND FERGUSON ARE CONNECTED

• INDIGENOUS ACTIVITIES YOU SHOULD TRY THIS WINTER

• TANTOO CARDINAL TO RECEIVE ACTRA TORONTO’S 2015 AWARD OF EXCELLENCE

• THE COMEBACK: JOHN RALSTON SAUL ON CANADA AND ABORIGINAL PEOPLES

• INDIGENOUS SOUNDTRACK FOR THE FRONTLINES

• AWOWAKII AND SABLE SWEETGRASS – ART IMITATES LIFE

• TRÉPANIER ON BUILDING BRIDGES AND AWAKENING MEMORY WITH ANGLO AND FRANCOPHONE INDIGENOUS ARTISTS

• MTV WORLD’S REBEL MUSIC ROCKS ‘NATIVE AMERICA’

• PHILIP COTE HONOURS INDIGENOUS WARRIORS

• BRAIDING SWEETGRASS REVIEW

• GENERATION SCREWED, MEET INDIGENOUS RESISTANCE

• STREAM: BLUE KING BROWN – “ALL NATIONS”

• MARIA HUPFIELD PRIES OPEN MUSEUM CASE WITH PERFORMANCE ART AT THE MCCORD

• 15 YEARS OF INDIGENOUS CINEMA AT IMAGINENATIVE FILM + MEDIA ARTS FESTIVAL

• INDIGENOUS ARTISTS RECLAIM QUEBEC AT IAKWÉ:IAHRE

• ALIGN WITH YOUR PURPOSE

• JESSE WENTE’S TOP 10 INDIGENOUS FILMS OF ALL TIME!

• THE REZ SISTERS: LOOKING GOOD AT 28

• WHAT THE MEN ARE SAYING: INDIGENOUS MASCULINITY—REVISITED

• THE QUESTION OF GENOCIDE AT THE CANADIAN MUSEUM FOR HUMAN RIGHTS

• SIX INDIGENOUS COOKBOOKS TO WARM YOU UP

• ORANGE SHIRT DAY CELEBRATES ITS 2ND YEAR TO HONOUR RESIDENTIAL SCHOOL SURVIVORS

• PHOTOS: 2014 PEOPLE’S CLIMATE CHANGE MARCH IN NEW YORK

• EAT, SING, LOVE: IN CONVERSATION WITH TANYA TAGAQ

• MUKSRAT CO-PRESENTS WITH CARIBBEAN TALES FILM FESTIVAL 2014

• PARTY LIKE A MATRIARCH

• LIVING LEGEND ALANIS OBOMSAWIN PREMIERES TRICK OR TREATY? AT TIFF 2014

• HAIDA MASTER CARVER CHARLES DA.A XIIGANG EDENSHAW AT MCMICHAEL CANADIAN ART COLLECTION

• RED MAN LAUGHING – THE DALLAS SOONIAS INTERVIEW

• INDIGENOUS ISSUES AT FOREFRONT OF PEOPLES’ SOCIAL FORUM 2014

• FACELESS DOLLS PUT A FACE ON MISSING AND MURDERED INDIGENOUS WOMEN IN SCHOOLS

• SMALL ISLAND, BIG VOICE: REZ’91 STORYTELLER CONCERT

• INDIGENOUS MEDIA ROUND UP: READ UP, TUNE IN, KNOW MORE!

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