All Pages – Prime Leaderboard Banner
All Pages – Prime Leaderboard Banner
All Pages – Prime Leaderboard Banner
All Pages – Skyscraper Right
All Pages – Skyscraper Left

Epic play Fight On! re’rights’ history about Canadian colonization, Infinithéâtre – April 10-22 at Espace Knox

Epic play Fight On! re’rights’ history about Canadian colonization, Infinithéâtre – April 10-22 at Espace Knox

A world premiere workshop performance
Fight On! Part 1
Frank Dickens NWPM, 2nd from right
An Account of the Scintillating True Life Adventures in the Canadian North West Mounted Police of
Francis Jeffrey Dickens
Written and directed by Guy Sprung
With additional sardonic, ironic and iconic commentary by First Nations’ writer Drew Hayden Taylor
Tuesday, April 10 Sunday, April 22, 2018

This land is made up of the dust of our ancestors bones.” Mary Deleary, Anishinaabe Elder

Montréal, March 2018Fostering Infinithéàtre’s ongoing mandate of reflecting and exploring life in the 21st century, Artistic Director Guy Sprung examines Canada’s ignoble past in this first part of the creative development of Fight On!, playing from April 1022 at Espace Knox. This cross-cultural, multilingual, metaBrechtian romp set during the late 19th century is the company’s most ambitious production to date; incorporating masks, puppetry, multimedia, dance, buffoonery, and authentic, embarrassing historical pronouncements. Fight On! Part 1 will be performed mainly in English, with significant characters speaking French, Cree, Blackfoot and Mohawk, with

English surtitles. There will be talkbacks after each performance, plus invited guests on Thursdays. Trigger warning:

satirical colonial views might cause selfconscious laughter.

More than ever, this is a time of increased recognition of Indigenous Peoples’ contributions, especially in the arts. Locally, theatres and events extend territorial acknowledgments before shows, Rezolution Pictures’s Rumble continues to rack up honours, there is a Juno award for Indigenous music, the MMFA and McCord Museums exhibit critical and blockbuster successes, Infinithéâtre’s own WriteOnQ! competition actively solicits Indigenous playwrights, Lara Kramer Dance is invited globally, and the Montreal First Peoples Festival is burgeoningAnd

yet, says Sprung, Too many Canadians know little or nothing about the colonization of their country, which has resulted, inevitably, in presentday conflicts. This lack of knowledge has serious consequences for First Nations, Inuit, and Métis people, and for Canada as a whole.

Following the death of his famous novelist father, Francis Jeffery Dickens (known as the Christmas Carol baby) arrives in Canada in 1874 with all the prejudices and presumptions of a white colonist/settler. After serving 11 years as a member of the North West Mounted Police, Frank is horrified by the mendacity and theft that robbed the Indigenous Peoples of their lands. He learns to respect the traditions and wisdom of Anishinaabeg culture and begins to understand the urgent need to live in harmony with Mother Nature.

Frank was diminutive in stature, lame in one leg, deaf in one ear and had a tendency to stutter the perfect comic antiprotagonist. This saga, blending comedy with tragedy for a Turtle Island prairie adventure like

no other, will leave audiences questioning what it means to be Canadian.

This is our ‘mostly factual’ history,” offers Sprung.I have however gleefully purloined names and the occasional phrase and snippets of dialogue from the works of Charles Dickens, along with creating my own descriptive monikers.” Spectators will have fun spotting famous lines out of context and wondering when the Ghost of Dickens Past will pop up next, while keeping an eye out for Pip, Micawber, Choke, Barkis and Wopsle.

The gifted and versatile ensemble cast plays a multitude of characters helmed by Danny Brochu (last seen at Infinithéâtre in Progress) as Frank. Patrick Abellard, Shawn Campbell, Brefny CaribouCurtin, Carmen Grant, Tyson Houseman, Howard Rosenstein, Anana Rydvald and Ivan Smith shine as they seamlessly chaperone the experience, encouraging the audience to boo and hiss throughout the performance as if attending a Victorian melodrama.

Fight On! Part 1’s significant video component integrates music, projected live camera and taped video, transforming the stage. Audiences will be whisked from the East End of London to a curling arena, train station, outdoor market and the furthest reaches of North America.

Frank: Blindness, Father! Egotistical, selfserving, platitudes. You are missing out on Life! Life is a circle.

Drew Hayden Taylor‘s (Ojibway, Curve Lake) sardonic, ‘Red Pen’ colour commentary, in direct counterpoint to the European settlers’ perspective of the tale, will be projected during the show. Adds Sprung,Along with live action and quick costume changes, Drews interwoven scrolled text completes this literate, ironicDickensian storytelling of the invasion and occupation by European settlers.

Turning Espace Knox into this theatrical extravaganza are talented Montréal design virtuosos: set, Cassandre Chatonnier; costumes, Emily Soussana; mask master, Brian Smith; lighting, Jon Cleveland; video, Andrew Scriver; sound, Devon Bate; and props, Claire Renaud. Kate Hagemeyer is the stage manager and Barbara Diabo is the assistant director/choreographer.

Fight On! is a twopart epic; this season offers Part 1 (Song of Innocence) in a professional workshop performance, next season is Part 2 (Innocence Transubstantiated), and the following season will present both parts in a full-scale production at the beautiful StJames Theatre. The 3year development of Fight-On! will include the mentorship of Michel Lemieux and Victor Pilon from the unparalleled 4D Art (Ci moire in Old Montréal). To encourage dialogue, the company will hold talkbacks after each performance, offering the public an opportunity to voice their opinions and directly influence the play‘s development. On Thursdays there will be an invited panelist, promoting civic dialogue around the issues explored, for a richer theatregoing experience. CN Aboriginal Affairs proudly sponsors the Thursday, April 12th performance, welcoming members of Indigenous communities.

Coming May 5: There will be a Roast/Fundraiser for Kevin Tierney, renowned Canadian film producer and Montreal

Gazette columnist. Proceeds benefit & support Infinithéâtre’s ongoing new play development programs.

Fight On! Part 1

April 10-22; preview April 10; opening night Wed. April 11
Tuesday – Saturday, 8:00pm, Saturday and Sunday matinée at 2:00pm
At Espace Knox, 6215 Godfrey Ave. in NDG
Tickets: $23$30; Pay What You Decide: all Sun. matinées and Wed. Apr. 11

Honour Mother Nature—Herbalists Day Special: Tues. Apr. 17, 2 tickets for $40
Box office: (514) 987-1774 #104 or online or
Postshow Artist Talks after performances, invited panelist on Thursdays


Media Opening Night: Wednesday, April 11 at 8:00pm Invitation to follow

The MEDIA CALL with excerpts from Fight On! Part 1 will be held on Tuesday, April 10 at 12:30pm at Espace Knox, 6215

Godfrey Ave. This is an occasion for camera footage, interviews and still photography. Please confirm by Thursday, April 5.

If you would like to interview playwright/director Guy Sprung or any company member- Media Contact: Janis Kirshner (514) 287-8912 jkirshner [at] sympatico [dot] ca

Fight On! Part 1 is generously supported by: Season sponsors CN and HydroQuébec; Canada Council for the Arts; the Community Fund for Canadas 150tha collaboration between Canadas community foundations, Foundation of Greater Montréal and the Government of Canada; Muse Entertainment; the Cantlie Suites Hotel; and CN Aboriginal Affairs.

All Pages – Content Banners – Top and Bottom

Related posts

Leave a Reply

Your email address will not be published. Required fields are marked *

Time limit is exhausted. Please reload the CAPTCHA.