September 19, 2017

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Four Faces of the Moon

Four Faces of the Moon

Vancouver, BCgrunt gallery presents a new exhibition, Four Faces of the Moon by artist Amanda Strong, a multi-media installation based on her new stop-motion animated short film.

 

Opening reception:                July 21 from 7:00 – 10:00 pm

Exhibition Dates:                    July 22 – August 20, 2016 (noon to 5 pm Tuesdays to Saturdays)

 

The story is told in four chapters via elaborate sets and puppets and explores the reclamation of language and Nationhood and peeling back the layers of Canada’s colonial history. A personal story told through the eyes of director and writer Amanda Strong, she connects the oral and written history of her family as well as the history of the Michif (Métis), Cree and Anishinaabe people and their cultural ties to the buffalo. Canada’s extermination agenda of the buffalo isn’t recorded as fervently as it was in the United States, yet the same tactics were used north of the border to control the original inhabitants of the land. This story seeks to uncover some of that history and establish the importance of cultural practice, resistance and language revival from a personal perspective.

Artistic collaborators include: Bracken Hanuse Corlett, Raven John, Femke van Delft, Chloe Bluebird, Dora Cepic, Dusty Hagerud, William Weird, Daniel Guay, Lydia Brown, Terrance Azzuolo, Callum Paterson, Tim Daniel, Joce Weird, Ian Nakamoto, Lynn Dana Wilton, Zed Alexander, Danielle Wilson, Damien Buddy Eaglebear, Colour Sound Lab Studio, Boldly Creative, Outpost Media and Menalon Music, along with the support of many others.

Amanda Strong
Amanda Strong

Amanda Strong is an Indigenous filmmaker, media artist and stop-motion director currently based out of the unceded Coast Salish territory also known as Vancouver. She is the owner and director of Spotted Fawn Productions, an animation and media-based studio creating short films, commercial projects and workshops. A labour of love, Amanda’s productions collaborate with a diverse and talented group of artists putting emphasis on support and training women and Indigenous artists.

Amanda’s work explores ideas of blood memory and Indigenous ideology. Her background in photography, illustration and media extend into her award-winning stop motion animations. Her films Indigo and Mia’ challenge conventional structures of storytelling in cinema and have screened internationally, most notably at Cannes, TIFF, VIFF, and Ottawa International Animation Festival. Amanda has received numerous grants from the Canada Council for the Arts, Ontario Arts Council and the NFB. In 2013, Amanda was the recipient of the K.M. Hunter Artist Award for Film and Video, and most recently the recipient of the Vancouver Mayors Arts Awards for Emerging Film and Media Artist. Amanda is currently working on her latest short animation Four Faces of the Moon for CBC Short Docs. The story is told in four chapters, exploring the reclamation of language and Nationhood, while peeling back the layers of Canada’s colonial history, revealing Canada’s extermination agenda on the buffalo.

> more info on grunt.ca

> Spotted Fawn Productions website

Four Faces of the Moon is made possible with the support of the Canada Council for the Arts, CBC, Telus, BC Arts Council, Creative BC, Ontario Arts Council and the NFB Filmmakers Assistance Program.

 

 

 

About grunt gallery

 

grunt gallery was founded in 1984 in Vancouver, BC with the vision to become an internationally renowned artist-run centre and further the practice of contemporary art. Through the exploration of our diverse Canadian cultural identity, we are able to offer public programming in the form of exhibitions, performances, artist talks, publications, and other special projects in the community. Our mandate is to inspire public dialogue by creating an environment conducive to the emergence of innovative, collaborative, and provocative contemporary art.

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MUSKRAT Magazine

MUSKRAT is an on-line Indigenous arts, culture magazine that honours the connection between humans and our traditional ecological knowledge by exhibiting original works and critical commentary. MUSKRAT embraces both rural and urban settings and uses media arts, the Internet, and wireless technology to investigate and disseminate traditional knowledges in ways that inspire their reclamation.

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